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poster
67
20
7.1
/800/
70
/46/
60
/17/
3.4
/574/

The Wonderful Years That Sucked (1997)
Capturing the dark humor of Czech author Michal Viewegh's chronicle of life after the Velvet Revolution, this black comedy chronicles three decades in the life of a small Czech family. While the original novel centered on the protagonist Kvido from his conception through his adulthood, first time director Petr Nikolaev and screenwriter Jan Novak changed the focus to his parents Milena, an extremely self-effacing lawyer who acts on stage in her spare time, and Ales, a rather aimless government worker who tends to drift wherever the wind takes him. The lives of Ales and Milena change dramatically following the Russian invasion of Prague in 1968.
poster
57
?
6.8
/194/
45
/5/
62
/8/

Ene bene (2000)
Alice Nellis's small-scale debut tragicomedy spotlights small-town elections. The protagonist, a university student name Jana (Theodora Remundová) who is trying to solve a troubled relationship with a married man, takes her mother's place on the election commission. In the meantime the mother (Iva Janzurová) is going through her own small domestic crisis with her husband (Leos Sucharípa). Thanks to excellent acting performances and restrained direction, the film convincingly outlines interpersonal relations and their light social overtones.
poster
?
20
/1/

A znovu Žebrácká opera (1996)
Two different productions of Václav Havel's Beggar's Opera reveal the political dynamics of Czechoslovakia before and after the velvet revolution.
poster
58
?
6.3
/139/
47
/4/
61
/7/

Horror Story (1993)
The distinctive artist, typographer, and writer Josef Váchal is known to the public primarily for his Blood Novel. The surrealistic exuberance of this defense of 19th-century pulp fiction caught the attention of Jaroslav Brabec and his colleagues, who found a corresponding image of 20th-century "trash." The authors' interest focuses primarily on the silent film era, with a journey through the history of cinema continuing through the advent of sound film to the present day (auteur cinema of the 1960s, modern horror), formally employing techniques such as tinted film. The versatile parody intertwines a colorful plot with the story of the author (Váchal/Paseky), who comments on and creates his book, and is further split in the plot into the characters of Fragonard and the Master. As with Váchal, reality increasingly enters the fiction, so that the only "happy ending" turns out to be the artist's finished work.
poster
?
40
/2/
100
/1/

Racek (1997)
A famous actress arrives at her brother's estate with her son and boyfriend, a writer. There they meet young Nina, who flies through their lives like a seagull...
poster
?
6.8
/8/
10
/1/
60
/1/

Král Ubu (1990)
N/A


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