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Objevování Dvořáka (2014)
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Antonín Dvořák: Slovanské tance 1. řada, op. 46 (2015)
Performed by the Czech Philharmonic Orchestra conducted by J. Bělohlávek. Slavonic Dances are among the most popular works by Antonín Dvořák and Czech Romantic music in general. The first series, originally composed for four-hand piano and later orchestrated for symphony orchestra, is inspired mainly by Czech folk dances. The orchestral version of Slavonic Dances is considered a groundbreaking work, thanks to which Dvořák attracted attention abroad and launched his international career. A television recording of this outstanding performance was made in 2014. The Czech Philharmonic Orchestra is conducted by Jiří Bělohlávek.
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Janáčkův máj 2004 (2004)
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Jakub Jan Ryba – Česká mše vánoční „Hej, mistře!“ (2014)
An indispensable symbol of Christmas. J. J. Ryba's most popular composition performed by A. Poláčková, V. Hajnová, P. Nekoranec, J. Šťáva, the En arché chamber choir, the Česká píseň mixed choir, and the Czech Philharmonic Orchestra conducted by J. Bělohlávek. The Czech Christmas Mass, also known as the "Hey, Master" Mass, in Latin Missa solemnis Festis Nativitatis D. J. Ch. acomodata in linguam bohemicam musicam – que redacta per Jac. Joa. Ryba, is a Czech-language church composition by this year's jubilee celebrant Jakub Jan Ryba (1765–1815). Although it is structured in the same way as a Latin musical mass with parts of the ordinary (Kyrie, Gloria, etc.), it is a pastoral play applied to traditional liturgy; the story tells of the annunciation of Christ's birth and the arrival of the shepherds at the manger. The Czech Christmas Mass has a purely pastoral character, set in a Czech environment.
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Mozart: Great Piano Concertos Vol. III (2005)
W.A. Mozart: Piano Concerto No.6, K.238 in B flat major, Piano Concerto No.19, K.459 in F major, Piano Concerto No.20, K.466 in D minor
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Mozart: Great Piano Concertos: Vol. II (2005)
Virtuosos André Previn, Zoltán Kocsis and Heidrun Holtmann pay homage to Wolfgang Amadeus Mozart, performing piano concertos from different periods of the composer's life ("No.1, K.37"; "No.4, K.41"; "No.23, K.488"; and "No.24, K.491"). The pianists play in gorgeous baroque venues frequented by Mozart: Mantua's Teatro Scientifico del Bibiena, Prague's Rittersaal of Palais Waldstein and Vienna's Grosse Galerie of Schloss Schönbrunn.
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Jiří Bělohlávek: But I just love conducting so much (2019)
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