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6.4
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Qiu Haitang (1943)
During the Republic of China, a Beijing Opera actor named Wu Yuqin specializes in performing in female roles. He takes the stage name Qiu Haitang and is invited to dinner by an admiring warlord Yuan. He later meets Luo Xiangqi, a graduate of a female performance school. The two of them fall in love but it turns out that she is warlord Yuan's wife...
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10
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Xian yi fan (1985)
In the summer of 1983, a provincial capital in the north. During ten years of turmoil, Ding Peng, the guard of Gao Changhe, former Secretary of the Provincial Party Committee, who was sent to labor reform in Xinjiang on suspicion of murder, was released after serving his sentence.
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10
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琵琶魂 (1982)
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10
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What Is Love? (1980)
Set in the period just after ten years of chaos, several love stories associated with the tourists on a bus indicate more meanings of love.
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金色的晚秋 (1983)
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The Razor's Edge (1949)
Fang Zhi Ping spend days and nights drinking without regard to his dying father, after the death of his father, he plans to kill his brother Zhi Gang, bought the maid Fusheng in Zhi Gang poison in the medicine to cause his death, Zhi Gang ghosts often appear to haunt him, and he mistakenly killed his girlfriend Zhu Manzhen and cousin Wang Suying, Zhi Gang ghosts retaliate by killing Fusheng, Fang Zhi Ping is vicious but thought of evil, and when the alarm clock rings he wakes up to find that it is a dream and stops the poisoning of Fusheng's story.
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Tin Mong Foy Foy (1947)
A Charlie Chan mystery, from Hong Kong.
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Portrait of Four Beauties (1947)
Four sisters, each with their different characters, embark on their separate roads to romance. Elder sister has vast experience of romance; second sister is predisposed to vampiness and wantonness; third sister is righteous and of noble character; fourth sister is just reaching puberty and experiencing the pangs of first love. Being sentimental, flirtatious and amorous, the four sisters form a backdrop conducive to songs and tripping the light fantastic.
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Lion-Hearted Warriors (1948)
Teacher Huang San extends to his pupils the high principles of patriotism, thus arousing the hatred of the occupying Japanese. Huang is forced to flee and to escape from the Japanese clutches. One night, he helps a robber escape from a pursuing Japanese officer by firing his gun and thus unintentionally kills the Japanese. Huang San follows to his hideout and from then on, Huang San joins the bandits. Huang San attempts to rob a house but discovers that the occupant is none other than his student Wang Zhongkang who is involved with the guerrillas. Huang San decides to help Zhongkang raid the military arsenal of the enemy. However, as Huang gradually gains the trust of their chief, some jealous associates within the bandit group informs on him. Huang and Zhongkang carry out their raid amid a fierce confrontation, Zhongkang successfully implements his mission but Huang is killed in the battle.
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The Night (1941)
Yuerong is an downtrodden orphan girl. She is taken in by Erhe, a rickshaw driver, whose neighbors, recognizing her intelligence and singing talent, recommend her for opera lessons. However, the manager Liu soon begins to take advantage of her.
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长恨天 (1942)
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鬼恋 (1941)
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Orioles Banished from the Flowers (1948)
"Among the many filmmakers who immigrated to Hong Kong after WWII was theater tycoon Jiang Boying, who established the company Great China in 1946, inviting fellow migrants to work on the first post-war Mandarin films of Hong Kong. Their hearts still anchored in Shanghai, they made films catered to the mainland market, with production modes of the former glory days. Fan Peilin, a virtuoso in musicals, was invited south to make Orioles Banished from the Flowers, dying in the crash of the returning flight. The only two films Fan made in Hong Kong–the other one Song of the Songstress–are thus his last. Both star the singing-acting superstar Zhou Xuan. In this MusCom–musical comedy–Zhou plays not the hapless songstress but a vivacious, willful youngster, rollicking between a young man and his girlfriend, resulting in a series of embarrassing but amusing situations. A remarkable sample of transplanted Shanghai-style entertainment."-- Hong Kong Film Archive
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Anecdotes of an Actor (1949)
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