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60
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Rameau Hippolyte et Aricie (2014)
Emmanuelle Haïm has established herself as one of the world’s leading performers, conductors and interpreters of Baroque repertoire, not only with Le Concert d’Astrée, the ensemble she founded in 2000, but with several of the world’s greatest orchestras. Known for her fresh and expressive approach to Baroque music, she has garnered critical acclaim and several international awards with her own ensemble, including Victoires de la Musique Classique, ECHOs, Gramophone Awards, and Grammy nominations.
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20
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Man of La Mancha (1998)
"Man of the Mancha" tells the story of the "mad" knight Don Quixote as a play within a play, performed by Cervantes and his fellow prisoners as he awaits a hearing with the Spanish Inquisition. Television broadcast of the Liège production in French with German subtitles.
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8.7
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Massenet: Werther (2010)
Werther loves Charlotte, but she promised her mother on her deathbed that she would marry Albert. After the marriage Charlotte suggests that Werther should travel - but not forget her. In addition to the singing and orchestral accompaniment, the entire cast acts very convincingly. And, there's no backstage mugging, entrances and spoken nonsense to spoil the experience of the drama.
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Johann Strauss II's Die Fledermaus at the Opéra Royal de Wallonie-Liège
Live Opera performance of Johann Strauss II's Die Fledermaus. Directed by Olivier Lepelletier-Leeds
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Dialogues des Carmélites (2013)
Performed at the Théâtre Graslin in Nantes in 2013. Francis Poulenc (1899-1963): Dialogues des Carmélites, opera in 3 acts and 12 scenes from a libretto by Emmet Lavery.
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Fortunio (2019)
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Mireille (2010)
In 2009, Frédéric Mistral’s tale of love and loss in Provence came to the Opéra de Paris with a new production of Gounod’s 1864 opera Mireille. Nicolas Joel’s naturalistic staging frames the accomplished performances of Albanian soprano Inva Mula as Mireille and American tenor Charles Castronovo as her ardent country lover Vincent.
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Bizet: Carmen (Anna Caterina Antonacci/The Monteverdi Choir/John Eliot Gardiner) (2010)
About the Director: John Eliot Gardiner is one of the most versatile conductors of our time. Acknowledged as a key figure in the early music revival, he is the founder and artistic director of the Monteverdi Choir, the English Baroque Soloists and the Orchestre Révolutionnaire et Romantique. The extent of his repertoire is illustrated in over 250 recordings which have received numerous international awards. Over the years Gardiner has won more Gramophone awards than any other artist. Probably the most francophile of English conductors, John Eliot Gardiner returned to the Opéra Comique, Paris for a much aclaimed production of Carmen last year. On June 25th it was broadcast live to 50 theatres in France and Switzerland and also recorded for TV. This followed an exciting collaboration that began in December 2007 with Chabrier s Opera bouffe L'Etoile, which had opened the new theatre at Opera Comique in December 2007.


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