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The Best Mikhail Vorobyov Movies. Go to The Best Shows

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poster

88

8.3

/9425/

80

/84/

75

/148/

4.4

/15236/

100

/19/

94

/114/

4.0

The love story of young Countess Natasha Rostova and Count Pierre Bezukhov is interwoven with the Great Patriotic War of 1812 against Napoleon's invading army.

poster

78

53

8.1

/1964/

74

/40/

74

/52/

4.2

/3691/

As Moscow is set ablaze by the retreating Russians, the Rostovs flee their estate, taking wounded soldiers with them, and unbeknownst to them, also Andrei. Pierre, dressed as a peasant, tries to assassinate Napoleon but is taken prisoner. As the French are forced to retreat, he's marched for months with the Grande Armée, until being freed by a raiding party. Part four of the four-part adaptation of Leo Tolstoy's 1869 novel.

poster

79

47

8.1

/2481/

75

/63/

75

/73/

4.2

/5274/

80

/2/

In 1805 St. Petersburg, Pierre Bezukhov, illegitimate son of a rich nobleman, is introduced to high society. His friend, Prince Andrei Bolkonsky, joins the Imperial Russian Army as aide-de-camp of General Mikhail Kutuzov in the War of the Third Coalition against General Napoleon Bonaparte. Part one of the four-part adaptation of Leo Tolstoy's 1869 novel.

poster

?

7.0

/53/

10

/1/

60

/1/

Several commercial fishermen were attacked by sea pirates and were forced to spend more than one year on a desert island. Many considered them dead - but almost all of them managed to survive ...

poster

?

6.9

/80/

10

/1/

50

/6/

It is May 1912. Thirteen political prisoners are being tried in a naval fortress of Kronstadt. They are sentenced to death by hanging. A clandestine Bolshevik organization decides to free the prisoners during their transfer to the place of execution. Vasily Panin, a junker of a school of naval engineers, is one of those entrusted with this dangerous task.

poster

62

?

6.9

/138/

60

/2/

57

/6/

On the evening of May 9, 1945, when Moscow is noisily and cheerfully celebrating the Victory Day, a young girl agronomist Zina Sokolova and a sailor officer Lavrentyev meet in the compartment of the Moscow-Vladivostok train. The sailor takes the lively, direct character of the girl for windiness and frivolity. Sokolova also reacted frowningly and mockingly to the satellite. To get to know each other better, travelers are helped by nuisance: they are behind the train, and the rest of the way they are together, getting to know people and the life of the country along the way.

poster

64

?

7.6

/473/

58

/6/

57

/9/

A Russian war correspondent is drafted into the war and finds himself in the middle of battle. When he loses his party card, however, he is treated as a deserter until he finds help from a kind man. This Soviet war feature was considerably outspoken for the time as it addressed issues such as anti-Stalinism, Siberia and the inhumanity of war. Adapting his screenplay from a book by Constantin Simonov, Alexandre Stolper was responsible for writing as well as directing.

poster

?

5.8

/19/

10

/1/

86

/6/

An old pickpocket named "Cardinal", during the days of the International Festival of Youth and Students, decides to gather old “personnels” to prepare small and large thefts from the festival participants. During the "conference" it turns out that a complete "personnel crisis" has come. The ensuing meeting with the former bootlegger — Senka-Moroz, who broke with his past and found happiness in his family and honest work, leads the Cardinal to confusion and mental confusion. A conversation with Professor Muromtsev, a terminally ill person who nevertheless cares about the fate of others, shock the "Cardinal" and he takes the first but decisive step towards a new life, breaking with the criminal world.

poster

?

7.3

/91/

10

/1/

20

/1/

Beautifully shot in black and white, and scripted by Tarkovsky's collaborator Andrei Konchalovsky, this powerful melodrama tells the story of a young boy who undertakes the perilous journey to Uzbekistan's capital Tashkent, to earn some money for his hungry family. Filming in the periphery of the Soviet Union, in a time of relative political relaxation, director Shukhrat Abbasov actually dared to depict the poverty and famine that resulted from the Bolshevik Revolution.

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