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poster
Amazon Prime Video
74
7.2
/314/
76
/19/
66
/14/
3.6
/788/
100
/21/
60
/7/
76
/5/

Half the Picture (2018)
At a pivotal moment for gender equality in Hollywood, successful women directors talk about their art, lives and careers.
poster
The Roku Channel
74
7.7
/1944/
70
/101/
60
/41/
3.7
/4592/
88
/24/
100
/3/
63
/8/
cc age 13+

This Changes Everything (2019)
An investigative look and analysis of gender disparity in Hollywood, featuring accounts from well-known actors, executives and artists in the Industry.
poster
Kanopy
61
6.3
/1197/
59
/54/
60
/31/
3.3
/4493/
69
/52/
89
/14/
58
/15/

Brainwashed: Sex-Camera-Power (2022)
Investigates the politics of cinematic shot design, and how this meta-level of filmmaking intersects with the twin epidemics of sexual abuse/assault and employment discrimination against women, with over 80 movie clips from 1896 - 2020.
poster
Starz Apple TV Channel
66
36
6.3
/440/
56
/28/
65
/13/
3.4
/794/
87
/15/
58
/7/

Body Parts (2022)
An eye-opening investigation into the making of Hollywood sex scenes, shedding light on the real-life experiences behind classic scenes of cinema and tracing the legacy of exploitation of women in the entertainment industry.
poster
33
10
6.6
/55/
20
/6/
33
/3/
9
/22/
41
/149/

The 4%: Film's Gender Problem (2016)
Explores the hot-button issues around the striking gender gap in Hollywood. Both women and men in the entertainment industry share first-person insights, questions, and anecdotes about the place of women in Hollywood.
poster
?
7.9
/21/

We Are Pat (2025)
Pat, the evasive, androgynous character made famous on Saturday Night Live by Julia Sweeney, was an inescapable figure in 1990s pop culture. As a child, filmmaker Ro Haber became obsessed with Pat—a character whose popularity stemmed from making others uncomfortable by defying gender norms. Decades later, and now an out trans filmmaker, Haber still grapples with Pat’s legacy. Thirty-five years after It’s Pat first aired, Haber assembles a group of queer and trans comedians, writers, and even Sweeney herself to revisit the character. Through conversation and critique, they aim not to erase Pat but to reframe them, transforming a symbol of ridicule into one of reflection and empowerment.
poster
43
?
3.5
/456/
31
/6/
44
/7/
64
/4/

The Thin Pink Line (1998)
A film crew in search of a new documentary project determines to find a wrongfully imprisoned death-row inmate. Enter Chauncey Ledbetter, a quirky and potentially gay prisoner convicted of murdering his high school show choir teacher. As filming of the documentary progresses, evidence increases that Chauncey might be guilty after all.
poster
?

No Mercy (2026)
From the starting point of her admiration for the pioneering Ukrainian filmmaker Kira Muratova (1934-2018), the director poses a question: is cinema made by women really tougher, more violent? Seeking answers, she talks to great contemporary filmmakers like Catherine Breillat, Virginie Despentes, Alice Diop, Céline Sciamma, Ana Lily Amirpour, and Monika Treut, among others. It becomes obvious that the cinema screen is a space for the projection of real social problems and power relations.


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