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poster
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6.4
/103/
10
/1/
60
/1/

The Misanthrope (1974)
Bergman took one of his favourite plays to Copenhagen for a guest performance, which was even broadcast on Danish TV. In his Copenhagen The Misanthrope, Bergman maintained a dual approach. On the one hand, a production of Molière's play as a theatrical game performed in style and intellectually conceived; on the other hand, an exposure, through physical and psychological intensity, of the emotional tragedy in which Alceste and Celemine are both victims. Expectations were high prior to Bergman's production of The Misanthrope. A reviewer wrote, 'For the first time Molière's connection to the Danish stage is intercepted by a director whose forte is physiological tragedy, Strindberg over Holberg'. Many reviews had expected Bergman to put his very personal stamp on the production. Instead they experienced 'a clean Molière' and were struck by Bergman's faithfulness to the original mise-en-scene and to the classical rhythm of Molière's text.
poster
53
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5.5
/132/
50
/2/
57
/3/

White Lies (1995)
Palle Hagman is a charming dreamer with great and dazzling powers of persuasion. His dream is to become a big star in the entertainment world. When he gets the chance to put on a variety show, he believes that the road to success is wide open. But Palle is a great optimist, and when the setbacks become too many, he is forced to resort to "white lies" to save himself and his family...


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