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poster
?
8.0
/11/
50
/1/
60
/4/

The Twenty-One Lives of Billy The Kid (2005)
Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghost’s laugh, as a shadow on the road.
poster
?
6.1
/20/
20
/1/
57
/6/

Daumë (2000)
Culled from four rolls of Super-8 film shot while the maker was a development worker in a small South American village, Daumë is at its center a film about ritual, power, and play. Daumë is both ethnography and critique; it is an interrogation into how to represent a place that can't be represented.
poster
?
20
/1/
67
/3/

The Death of Abraham Lincoln (In Three Parts) (1998)
An ahistorical re-enactment of the strange and curious events that led up to the untimely demise of our nation’s sixteenth president.


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