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The Best Mike Bloomfield Movies. Go to The Best Shows

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poster

77

7.5

/888/

72

/32/

57

/11/

3.8

/2091/

100

/6/

73

/4/

3.5

Black and white footage of performances, interviews, and conversations at the Newport Folk Festival, from 1963 to 1966. The headliners are Peter, Paul and Mary, Joan Baez, Pete Seeger, and Bob Dylan, who's acoustic and electric. Son House and Mike Bloomfield talk about the blues; John Hurt, Howlin' Wolf, and Sonny Terry and Brownie McGhee show its range. The Osborne Brothers perform bluegrass. Donovan, Johnny Cash, Judy Collins, Mimi and Dick Farina, and others less well known also perform. Several talk musical philosophy, and there's a running commentary about the nature and appeal of folk music. The crowd looks clean cut.

poster

?

7.6

/13/

10

/1/

An oddball picture about legendary kooky and colorful Los Angeles fringe eccentric cult figure Bongo Wolf. Through the course of the film, Bongo visits his friends in Hollywood, gives a lecture on vampires and prehistoric man, visits the Count Dracula society, plays his bongo drums...

poster

?

8.6

/17/

You know, I like sweet blues... I want to be singing. I want to be sweet," said music legend Mike Bloomfield of his searing, lyrical guitar playing. His awesome instrumental prowess is on full display in this raucous documentary celebrating the legacy of a hard-living, finger-fretting renegade. Described by fellow icon Al Kooper as "not just another white boy [but] someone who truly knew what the blues were about," Bloomfield drew on African American tradition while burnishing his licks with a radical compositional approach reflecting the social and cultural upheaval of the 1960s.

poster

83

?

8.0

/117/

90

/1/

80

/2/

"Born In Chicago" is a soulful documentary film that chronicles a uniquely musical passing of the torch. It’s the story of first generation blues performers who had made their way to Chicago from the Mississippi Delta and their ardent and unexpected followers – young white, middle class kids who followed this evocative music to smoky clubs deep in Chicago’s ghettos. There, against all odds, they were encouraged by the greats who had became their musical mentors and learned the art of the blues at the feet the masters, going on to make the music their own.

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