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The Illiac Passion (1967)
Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound, finds the personalities of his characters to have a timeless universality.
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Kanopy
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Making Dances: Seven Post-Modern Choreographers (1980)
Made in 1980, this film explores the contemporary dance scene through the work of seven New York-based choreographers. They discuss the nature of dance and the evolution of their own work. Filmed at rehearsals, performances, and during interviews, the film is a unique primary source. The artistic roots of these seven artists can be found in Martha Graham's concern with modern life as a subject for dance and in Merce Cunningham's emphasis on the nature of movement. In the 1960s, the interaction of art forms generated choreographic innovations. Especially influential was John Cage, whose radical ideas served as a point of departure for much of the new choreography. Each of the choreographers in Making Dances draws inspiration from the Graham/Cunningham tradition, yet each makes a highly distinctive statement. Structure, movement in non-fictive time and space, and the nature of movement itself are recurring themes.
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The Life and Times of Joseph Stalin: An Opera (1973)
A full recording of an all-night performance of Robert Wilson's The Life and Times of Joseph Stalin: An Opera. Recorded on December 21, 1973. In many ways a compilation of all the stage work Wilson had done with the “Byrds,” The Life and Times of Joseph Stalin reworked elements of The Life and Times of Sigmund Freud, Deafman Glance, Overture, and KA MOUNTAIN AND GUARDenia TERRACE into a seven act, 12-hour piece.


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