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poster

67

9

6.4

/203/

66

/9/

74

/10/

3.3

/258/

In 1989, Mozambique is a country ruined by civil war. The train that connects Nampula to Malawi is the only hope for people willing to risk their lives to exchange a few bags of salt for sugar. Running slowly over sabotaged tracks, the journey is filled with obstacles and violence. Mariamu, a frequent traveler, shares her trip with her friend Rosa, a nurse who is going to her new hospital, living the reality of war for the first time, Lieutenant Taiar, who only knows the reality of his military life, and another soldier, Salomão, with whom he doesn’t get along. Amongst bullets and laughter, stories of love and war unfold as the train advances towards the next stop.

poster

?

6.4

/11/

Izidine, a recently promoted Police Detective, is called to an elderdy home set in a former colonial fortress to investigate a crime: Vasto Excelêncio, the home's director has been murdered. Marta, the home's nurse tries to steer the investigation to the real crime, the home's very own existence. Izidine is confronted with a surprise: all the residents confess that they are the murderer. Their motives going from the way the director treated the elderly, beating them, the domestic violence perpetrated by the director on his own wife's, or the nurse confessing a love affair with the deceased who forced her to have an abortion. The detective will slowly discover that the real crime was a revenge.

poster

?

5.9

/56/

60

/1/

Azarias is a young orphan shepherd, keeper of a herd of oxen, where the ox Mabata Bata stands out. The oxen will be the basis of the "lobolo" payment, a traditional dowry that his uncle Raul must pay for his own marriage. Azarias’ dream is to be a normal child, to go to school, gold that is supported by his grandmother. One day, when Azariah is in the pasture, Mabata Bata steps into a mine - the result of the civil war in the country - and explodes. The young man fears his uncle's reprisals and flees to the forest, taking with him the remaining oxen. The grandmother and uncle leave in their quest to rescue him and persuade him to return.

poster

?

Teresa evokes a memory. A memory as a place of resistance. A memory suspended in space and time. A place one can return to. The fragmented image of an intimate record. The impression of moments forgotten in time but ready to emerge from oblivion—moments that allow us to build a possible history: the history we want to see. – Tânia Dinis

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