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poster
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6.9
/10/

There Is No Resurrection Without Death (1922)
Produced by Elena Sangro and funded by the Commitee of Motenegrin Exiles (including the former Queen Milena), the film tells the full story of the heroic conduct of Montenegrin people during the First World War.
poster
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5.8
/9/

The Marble Faun (1920)
The film, a swirling drama of love and death, is loosely adapted from Nathaniel Hawthorne’s 1860 novel The Marble Faun. Princess Maria (Elena Sangro) is married to the Duke of Helgoland (Ugo Bazzini), the leader of an anti-government plot about to be exposed by their house guest Count Giorgio (Carlo Gualandri). Giorgio tries to involve Maria, and in his fatal fight with Helgoland, her husband is killed using the knife that Maria hands to Giorgio. Forced to flee, they meet up again in Rome, where Maria has changed her name to Myriam and Giorgio has become a monk. Giorgio still desires Myriam, who rejects his advances, and she convinces her suitor Donatello (Giorgio Fini) to kill him.
poster
55
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5.9
/174/
52
/11/

Malombra (1917)
Marina di Malombra (Borelli) lives in a castle prior to her wedding. She begins to read letters written by an ancestor called Cecilia. She finds out that Cecilia was driven to her death by her uncle. Marina identifies with Cecilia and take revenge on her behalf by murdering her uncle.
poster
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5.4
/69/
30
/1/
50
/2/

Fabiola (1918)
In "Fabiola" (1918) Herr Guarzzoni moved from the earliest days of Christianity when the new faith was struggling to just survive to a later period in the Roman Empire when the religion was a major force and attempting to win over Rome.
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L'età critica (1921)
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