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90
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Purcell: The Indian Queen (2012)
A superb adaptation of Purcell's the Indian Queen, staged and directed by Peter Sellars and performed in 2013 at the Teatro Real in Madrid. Peters Sellars combines John Dryden and Robert Howard's libretto with a short-story written by the Nicaraguan writer Rosario Aguilar, La niña blanca y los pájaros sin pies.
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8.6
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Jules César (2011)
Live performance 10 February 2011 at the Palais Garnier. Emmanuelle Haïm conducting Le Concert d'Astrée and les Choeurs de l'Opéra national de Paris. Directed for stage by Laurent Pelly.
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9.0
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75
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Giulio Cesare (2005)
David McVicar’s production of Giulio Cesare manages to combine serious insight with entertainment, bringing Handel's masterpiece to life in a powerful, convincing and highly intelligent way. ln every line of the complex narrative the subtle nuances are apparent, reflecting perfectly the transparent and exquisite nature of Handel's musical expression. Filmed in High Definition and recorded in true surround sound, the outstanding singing of the all-star cast, led superbly by Sarah Connolly, and the vivid playing of the Orchestra of the Age of Enlightenment under the energising baton of William Christie reveal the colour and dramatic character of Handel’s music in a most delightful manner.
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A Baroque Odyssey: Les Arts Florissants celebrates 40 years (2019)
Since William Christie founded Les Arts Florissants in 1979, they have strengthened year after year their reputation as one of the world’s premiere ensembles for early and Baroque music. For this 40th anniversary concert from 2019 at the stunning Philharmonie de Paris, core artists from “Les Arts Flo” reunite to perform some of the ensemble’s trademark pieces, from Lully’s Atys—a long-forgotten masterpiece they revived in 1987 over 230 years after its last performance—to the great operas of Rameau and gems by the likes of Charpentier, Purcell, and Handel. This celebratory concert features another first for the storied ensemble, as Christie shares conducting duties with Paul Agnew! Riveting from beginning to end, this Baroque Odyssey encapsulates all the qualities—world-class instrumentalists, impeccable Baroque vocalists, cannily chosen repertoire—that have made Les Arts Florissants such a beloved and enduring fixture in the classical world.
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Giulio Cesare in Egitto (2025)
Three hundred years old and as timely as ever, Handel's monumental Giulio Cesare in Egitto (Julius Caesar in Egypt) arrives at the 2025 Salzburg Festival in a new staging by the audacious, award-winning Dmitri Tcherniakov! When Caesar (Christophe Dumaux) comes to Egypt on the hunt for his enemy Pompey, he discovers that the pharaoh Ptolemy (Yuriy Mynenko) has beaten him to the punch, setting Pompey's son Sextus (Federico Fiorio) on a mission for vengeance — all while Ptolemy's sister Cleopatra (Olga Kulchynska) schemes to take the throne for herself, leading her directly into the path of Caesar… This tale of uncompromising rivalries and the corrupting thrall of political power is animated by one of Handel's finest scores, majestic in the hands of expert Baroque ensemble Le Concert d'Astrée under their celebrated founder Emmanuelle Haïm.
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Handel's Ariodante (2017)
Discover Ariodante, George Frideric Handel’s Baroque opera, a masterpiece plunging us into the ruthless world of the Scottish royal court through a love story of knight-errant Ariodante and princess Ginevra. Christof Loy staged the production at the Salzburg Festival 2017, alongside maestro Gianluca Capuano who conducted Les Musiciens du Prince-Monaco.
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Cavalli: Il Giasone (2012)
This is the World Première Recording on DVD of Cavalli’s opera Il Giasone. The plot is loosely based on the story of Jason and the Golden Fleece, but the opera contains many comic elements too. This 2010 production from Antwerp is orchestrated and conducted by the internationally reputed baroque specialist Federico Maria Sardelli. It is directed by the young Frenchwoman Mariame Clément, who is currently making a name for herself with her infectious directing in German and French opera houses. The title role is sung by the promising French countertenor Christophe Dumaux.
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Giulio Cesare in Egitto (2022)
Triumphantly premiered in 1724 at the King's Theatre in London, George Frideric Handel's Giulio Cesare in Egitto masterfully combines human emotions: Triumph with sorrow, despair with happiness and love with profound melancholy in the face of the transience of all earthly life. Star director Keith Warner creates a production that imaginatively blends silent film and baroque opera, delightfully echoing Mankiewicz's legendary Cleopatra with Elizabeth Taylor, Rex Harrison and Richard Burton. An excellent cast of singers is led by two of the world's leading countertenors: Bejun Mehta and Christophe Dumaux. Louise Alder shines as the seductive Cleopatra. Patricia Bardon, Simon Bailey and Jake Arditti are further highlights in this extraordinary group of singers, while Ivor Bolton provides the appropriate soundtrack on the podium of the Concentus Musicus Wien.
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Georg Friedrich Händel : Giulio Cesare (2024)
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Ariodante - Wiener Staatsoper (2018)
It is a work charged with jealousy and intrigue, with struggles and betrayal: Ariodante, Handel’s first work for the then brand new Theatre Royal in Covent Garden. At that time, the composer was faced with fierce competition, was financially stricken and on the rocks. However, he plucked up his courage while taking the waters and wrote the opera, basing it on Ariosto’s epic poem Orlando furioso. And he composed varied, colourful music, including the intimate aria “Scherza infida”, which is considered one of the special highlights of Handel’s oeuvre to this day.
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Ariodante (2017)
At Salzburg Festival, Cecilia Bartoli shines as Ariodante with her dazzling coloratura in a highly acclaimed new production by the German director Christoph Loy, who is known for his clever psychological stagings. Loy turns Handel's splendid baroque opera into an exciting and differentiated reflection on gender roles.
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Giulio Cesare in Egitto (2012)
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Handel's Tamerlano (2015)
In Tamerlano, Handel defied rules both written and tacit—offering a main role to a mature tenor at a time when the castrato voice dominated; and not shying away from shocking scenes that other composers approached hesitantly, like suicide. Pierre Audi’s elegant, minimalist staging allows an all-star cast of singers to highlight the work’s many dramatic elements, proving that Baroque opera can still move and thrill us as it did 300 years ago!
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Partenope: Det Kongelige Teater (2014)
Directed by Uffe Borgwardt. Starring Inger Dam-Jensen, Christophe Dumaux, Andreas Scholl.


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