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poster
?
6.6
/8/

Der Sündenbock (1940)
N/A
poster
?
6.7
/21/
70
/1/

Der laufende Berg (1941)
N/A
poster
?
2.7
/32/

Der große Preis (1944)
The moral is simple: keep your mouth shut, especially when you're working during the wartime in a factory, which produces racing cars only, or someone can (or even must) get murdered. Not a good movie, not a bad either. The ending is abrupt and artificial, which seems to be a common plague of Third Reich's crime movies. Gustav Fröhlich could never get rid of his silent era mannerisms and overacting. But on the other side, this film is not boring and has to offer some decent plot turns and acting.
poster
?
5.7
/7/
80
/1/

Links der Isar – rechts der Spree (1940)
N/A
poster
?
2.5
/38/
50
/3/

Der Fall Rainer (1942)
Germany in the fall of 1918: Accompanied by the Archduke Karl Maria, Princess Henriette von Battenstein makes an inspection tour of hospitals. During these inspections, she meets Lieutenant Rainer, the former conductor of the State Opera. When she later makes music with him in the Archduke's castle, she becomes the unwilling witness to a secret cease fire negotiation.
poster
?
6.6
/29/
10
/1/

Sabine und die hundert Männer (1960)
N/A
poster
?
4.8
/15/
10
/1/

Die Unschuld vom Lande (1957)
Theater director Werner Sturm was amazed when he arrived in the Bavarian market town of Oberwinkel on a vacation and came across all kinds of disguised characters: knights and maids, squires and heralds were running around, and children were shooting arrows through the air with their bows
poster
?
8.9
/10/

The Heir (1943)
A few days before the planned wedding of the chief inheritor von Halleborg, he experiences a terrible blow: his beloved bride Julia has a riding accident and dies of her injuries. Von Halleborg becomes a broken man and chooses not to waste another moment thinking of love -- his heart belongs to Julia ... forever. In doing so, von Halleborg runs the risk of losing his entire estate, for the conditions of inheritance make all to clear that if he does not marry by his 45th birthday, the estate is to be turned over to someone else. Von Halleborg had already made peace with this fact until he discovers that the future lord of the manor will be his nephew Oskar, a selfish and ruthless scoundrel, concerned only with money.
poster
?
8.2
/12/
10
/1/

Das Vergnügen, anständig zu sein (1962)
N/A
poster
?
7.6
/11/

Das Hochzeitshotel (1944)
N/A
poster
?
5.8
/27/
60
/1/

Die schwedische Nachtigall (1941)
N/A
poster
?
4.3
/16/
10
/1/
40
/1/

Glückliche Reise (1954)
N/A
poster
?
6.3
/51/
10
/1/

Der Onkel aus Amerika (1953)
N/A
poster
?
10
/1/

Eli (1970)
German TV-movie that includes poems by Nelly Sachs.
poster
?
5.9
/67/
35
/2/
60
/1/

Confess, Dr. Corda (1958)
A doctor goes to meet a beautiful girl at a park bench near a wooded area. When he arrives, he finds her battered body lying next to a stream! He then finds himself to be the prime suspect. Who's the killer?
poster
?
10
/1/

Gericht bei Nacht (1957)
N/A
poster
?
6.2
/19/
60
/1/

Der Ochsenkrieg (1943)
N/A
poster
62
?
7.5
/149/
71
/5/
38
/4/

The Bridge (1949)
This is the directorial debut of Artur Pohl and tells the story of war refugees as they try to settle in a small town in Germany.
poster
65
?
6.2
/207/
75
/5/
60
/8/

I Accuse (1941)
In this film, the wife of a renowned doctor becomes ill with multiple sclerosis. Trying to spare her beloved husband the ordeal, the woman turns to a family friend, Dr. Lang, to help end her life. When this doctor declines to help with the assisted suicide, however, she is forced to turn to her husband. After much soul-searching, Dr. Heyt, her husband, assists in her suicide. The act, however, is witnessed by a chambermaid, who reports him to the police. Dr. Heyt is put on trial for murder and, at first, Dr. Lang testifies against him in court. Soon, however, Dr. Lang is faced with a similar case in his professional practice and this, along with Dr. Heyt’s impassioned performance in court, convinces Dr. Lang that, in some instances, mercy killing may be the right thing to do.
poster
64
?
6.7
/318/
60
/4/
59
/7/
3.5
/377/

The Final Chord (1936)
After her husband dies, a German woman who gave up her infant for adoption to emigrate to America returns to Germany, discovering that her child is being raised by a married orchestra conductor.
poster
?
6.8
/52/
50
/5/

Über alles in der Welt (1941)
Nazi cinema produced numerous WW2 military epics, one of the most impressive of which is Ufa's first-rate 1941 production, Uber Alles in der Welt,directed by Karl Ritter (Stukas). Ritter customarily produced morale-building propaganda pictures, and this, his first propaganda film to deal with the war, as well as his finest effort, was one of the highest-grossing pictures of the Third Reich. Set largely in France, England, and Spain, the film chronicles the plight of Germans caught by the outbreak of war and their frantic attempts to return to the Fatherland to join the battle. All of Germany's enemies receive equal disdain. The British, the French, the Poles, and the Jews are portrayed respectively as warmongers, profiteers and cowards. In the end, all that is important is returning to Germany.
poster
?
6.8
/24/
60
/1/

Fanny Elssler (1937)
Prince Klemens von Metternich orders Friedrich Gentz, one of his aides, to keep the Duke of Reichstadt---Napoleon Francois Joseph Charles---son of Napoleon and heir to the French throne, from thinking about French politics. Gentz enlists the help of ballerina Fanny Elsser, all the rage in several European capitals, to keep the Duke distracted.
poster
?
3.7
/76/
50
/6/

The Desert Song (1939)
When the famous singer Grace Collins got off the plane that had flown her a remote place in Northen Africa little did she know she would meet love and adventure there. If she came there, it was to visit Sir Collins, her stepfather. Falling in love was not on the agenda but how could she resist the charm of Nic Brenten, an alluring and idealistic Dutch engineer? Butcan devotion and generosity really compete with the greed of someone like Sir Collins, a cynical financier who wants to dispossess the locals of the copper mine Brenten helps them to develop ?...
poster
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Strandgut der Leidenschaft (1922)
N/A
poster
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Shadows over St. Pauli (1938)
Old John Carstens sells his marine‐equipment firm to Lafrenz, unaware it’s now a fuel‐smuggling front. Living above the showroom with daughter Hanna and son Jochen, he resists Lafrenz’s pressure. When Hanna falls for bargeman Oschi Rasmus, Lafrenz demands John either give up Hanna or settle his debts. John defies him and dies. Oschi clears John’s debts, but Lafrenz soon plots against the young couple.
poster
?
7.2
/8/

Die unheimliche Wandlung des Axel Roscher (1943)
N/A
poster
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Die unheimliche Wandlung des Alex Roscher (1943)
N/A


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