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poster
67
63
6.8
/6329/
65
/161/
61
/91/
3.4
/7101/
72
/25/
77
/186/
65
/10/

Carmen Jones (1954)
In this musical set in an all-Black army camp, civilian parachute maker and "hot bundle" Carmen Jones is desired by many of the men. Naturally, she wants Joe, who's engaged to sweet Cindy Lou and about to go into pilot training for the Korean War.
poster
?
8.3
/55/
45
/2/

Die Fledermaus (1990)
After the Viennese premiere, the Fledermaus (the bat) conquered the world. It is one of the few operettas that are regularly performed at the major opera houses such as the Metropolitan Opera, the Scala Milan, the Vienna State Opera and the Royal Opera House Convent Garden in London. John Cox directed this lavishly equipped production by Julia Trevelyan Oman initially in London in 1977. On New Year's Eve 1990, this staging offered the luxurious ambiance for the farewell to Joan Sutherland from her London audience. The singer had admired them since her first great success at this prestigious opera house in the fifties. The rushing feast in the second act reached its climax with its stormy cheered performance and the commitment of her friends and colleagues Luciano Pavarotti and Marilyn Horne, with whom she often stood together on the stage.
poster
?
8.2
/45/
10
/1/

Irving Berlin's 100th Birthday Celebration (1988)
The life, career, and music of Irving Berlin are celebrated live on stage with musical performances.
poster
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20
/1/

En lek på blodigt allvar (1999)
Göran Gentele (1917 - 1972) was a Swedish actor, director, and opera manager. He studied at The Royal Dramatic Theatre's acting school 1944-46, followed by acting and directing theatre and film, became artistic director of the Swedish Royal Opera in 1963 and of the Metropolitan Opera in New York City in 1972.
poster
?
20
/1/
70
/1/

Vivaldi Orlando Furioso (2001)
For those with any interest in Vivaldi's operas Orlando Furioso is essential viewing, being a 1989 San Francisco Opera revival by Pier Luigi Pizzi of his own 1979 production which was largely responsible for beginning modern interest in Vivaldi's stage work. The composer first premiered Orlando finto pazzo in 1714, but the Orlando Furioso finalised in 1727 was so heavily reworked as to be virtually an entirely new opera, and so successful Handel set the same epic poem by Aristo under the title Alcina in 1735.
poster
61
?
5.5
/121/
58
/6/
70
/3/

Sesame Street | All-Star 25th Birthday: Stars and Street Forever! (1994)
Sesame Street All-Star 25th Birthday: Stars and Street Forever! was a 1994 TV special that aired on ABC to celebrate Sesame Street's 25th anniversary. It was originally broadcast on May 18, 1994. The show featured Joe Pesci (as Ronald Grump), Corbin Bernsen (as real estate attorney, Arnie), Danny DeVito and Rhea Perlman (as a Worm TV hosts), John Goodman (as Tough Guy Helpline operator), Charles Grodin (as Chaz), Julia Louis-Dreyfus (as reporter Kathie Lee Kathie), Rosie O'Donnell (as the Good Hope Fairy), Susan Sarandon (as Bitsy), Barbara Walters (reporting for 25/25), and Regis Philbin and Kathie Lee Gifford (as themselves).
poster
?
10
/1/
60
/1/

In Concert at The Met (2010)
In Concert at the Met (DVD) - Highlights Five of the Met's greatest stars - Price, Horne, Troyanos, Domingo, and Milnes - joined James Levine for a series of irresistible concert programs, originally telecast in the 1980s. Featuring works by composers ranging from Handel to Meyerbeer to Puccini and Verdi, these performances include some of opera's favorite moments, delivered by a stunning group of legendary artists. Plàcido Domingo, Tatiana Troyanos (February 28, 1982) Leontyne Price, Marilyn Horne (March 28, 1982) Plàcido Domingo, Sherrill Milnes (January 30, 1983)
poster
?
53
/3/
75
/3/

Falstaff (1993)
It is to composer and librettist Arrigo Boito and his constant pestering of the octogenarian Verdi that there remained within him one last great comedy fighting to get out that we owe this absolute miracle of an opera. Produced in 1893 as Verdi turned 80 there is much in this masterpiece that can be identified as a modernist neoclassical work. The use of short motifs instead of long arioso melodic lines, the spry and reduced orchestral textures and the lack of a single 'stand and deliver' dramatic declamatory aria all serve to make this more of a 20th century work than an example of 19th century late-Romanticism.
poster
?
8.5
/35/
80
/5/

The Ghosts of Versailles (1992)
What happened to Figaro and his friends after the events told in Rossini’s and Mozart’s operas? One possible sequel is told in John Corigliano’s “grand opera buffa” The Ghosts of Versailles—an uproariously funny and deeply moving work inspired by Beaumarchais’s third Figaro play, La Mère Coupable, and commissioned by the Met to celebrate its 100th anniversary. This telecast captures its world premiere run, conducted by James Levine. Håkan Hagegård is Beaumarchais, Figaro’s creator, who is deeply in love with Marie Antoinette (Teresa Stratas in a heart-searing performance) and determined to rewrite history and save her from the guillotine. A young Renée Fleming, at the beginning of her international career, sings the unfaithful Rosina. Gino Quilico is the wily Figaro who tries to take matters in his own hands, and Marilyn Horne stops the show as the exotic entertainer Samira.
poster
57
?
7.6
/104/
35
/2/
60
/3/

Sesame Street Jam: A Musical Celebration (1993)
Sesame Street Jam: A Musical Celebration is a special produced forSesame Street’s 25th anniversary. Released in a slightly different form on video as Sesame Street: 25 Wonderful Years in October 1993, the special was shelved for its broadcast premiere on PBS until 1994, during pledge drive season, and in many markets, aired as part of a marathon block with three show episodes. The special was a companion to the prime-time network special, Sesame Street's All-Star 25th Birthday: Stars and Street Forever!


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