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poster
73
61
7.3
/3941/
75
/114/
73
/121/
3.9
/17009/
60
/5/
81
/30/

Entranced Earth (1967)
Eldorado, a fictitious country in America, is sparkling with the internal struggle for political power. In the eye of this social convulsion, the jaded journalist Paulo Martins opposes two equally corrupt political candidates: a pseudopopulist and a conservative. In this context, Paulo is torn between the madness of the elite and the blind submission of the masses. But, in this complex tropical reality, nothing really is what it seems to be.
poster
72
42
7.4
/1045/
73
/28/
70
/38/
3.7
/3879/

Lucio Flavio (1977)
The story of a famous Brazilian bandit in the early 1970s and his fight against a paramilitary organization known as the Death Squad.
poster
68
17
7.8
/245/
50
/7/
71
/11/
3.8
/822/

The Hour and Turn of Augusto Matraga (1965)
Augusto Matraga is a violent agressive farmer who, after being betrayed by his wife and trapped by several enemies, is bitten up and left for dead, being rescued by a couple of humble small farmers who nurse him for a long time until he is well again. Influenced by the couple, Matraga starts a long penitent life while waiting for his hour and chance to payback, starting a fight between his violent nature, his hidden desire of vengeance and the mysticism and goodness which is also part of him.
poster
63
12
6.9
/214/
70
/3/
41
/9/
3.6
/812/

Go To Work You Bum! (1973)
Having come out recently from jail, a tramp, willing to make quick money, decides to organize a pool match between two famous retired players.
poster
?
6.8
/38/
10
/1/
53
/4/

O Homem do Corpo Fechado (1972)
N/A
poster
?
10
/1/
50
/4/

Escalada da Violência (1982)
An architect has his family brutally murdered and leaves for relentless vengeance.
poster
52
?
6.8
/98/
10
/1/
66
/4/
3.4
/288/

Red Mandacaru (1961)
Despite being promised to another man, a young orphaned woman falls in love with man working at the farm she lives in , and together they escape. According tradition in Northeast Brazil, her aunt goes after them, in order to kill them for revenge.
poster
?
6.0
/46/
37
/4/
50
/1/

O Doce Esporte do Sexo (1971)
Erotic comedy in five segments, starring the same actor, Chico Anysio: O Torneio (The Tournament), A Boca (The Mouth), O Filminho (The Short Film), A Suspeita (The Suspicion) and O Apartamento (The Apartment).
poster
?
7.5
/87/
10
/1/
65
/1/

Tragic Jungle (1963)
In a company trading maté, workers are treated as slaves. Some of them try to escape, but those who are caught suffer severe punishments.
poster
?
6.8
/21/
10
/1/

Riacho do Sangue (1966)
N/A
poster
?
6.9
/62/
46
/3/
60
/3/

Grande Sertão (1965)
Cowboy Riobaldo is attracted to same sex Diadorim, not knowing that "he" is a girl dressed in man's clothes. After Diadorim's father is killed, she swears revenge, being joined by Riobaldo in this mission.
poster
?
6.4
/28/
70
/1/

Parceiros da Aventura (1979)
Rio de Janeiro crooks rove about, performing petty tricks to survive, and get involved with a woman who steals cars.
poster
61
?
7.2
/126/
50
/2/
54
/7/
3.5
/305/

El Justicero (1967)
A shockingly irreverent follow-up to the rural austerity of Barren Lives, dos Santos’ Godardian social satire owes more than a nod to the self-conscious antics of the French New Wave. The pampered son of a general, El Justicero is a hipster playboy who fancies himself a James Bond/Jean Paul Sartre urban hero. “Archetypical” yet “full of contradictions,” he sees that justice is achieved for the disadvantaged while taking advantage of certain bourgeois perks. His exploits are closely followed and eventually directed by his biographer who decides a film is not only more lucrative than a book, but it gives him the luxury of reviewing previous scenes. Unlike Bond, El Jus eventually experiences an awakening which threatens to compromise the entertainment value and glamour of his life story. - Harvard Film Archive
poster
70
?
7.5
/172/
66
/3/
67
/5/
3.7
/445/

The Fall (1976)
An accident at a construction site, resulting in one death, sets one worker off on a struggle for justice that exposes the mechanisms of exploitation and the class relations of a country that had undergone one decade of fast-paced ‘conservative modernisation’ at the hands of the military. As a sort of sequel to the classic The Guns (1964), following the fate of those characters as they move from enforcers of exploitation to exploited, it offers more than a snapshot of the period: the correspondent time lapses in fiction and reality capture the passage of a chunk of Brazilian history between the two films, and, therefore, also the transformations in cinematographic approaches to the social and political between the two moments. Equally daring in content and form, and in the originality of the adequacy of one to the other, it won the Silver Bear at Berlin.
poster
61
?
7.3
/110/
50
/2/
60
/4/

As Cariocas (1966)
Divided into three episodes based on stories by Stanislaw Ponte Preta (Sérgio Porto), the film portrays three young people from Rio de Janeiro: a furious lover, a beautiful beachgoer, and a former beauty queen. All live in profound solitude amid the apparent social vibrancy of Copacabana.
poster
?

Massacre em Caxias (1979)
N/A


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