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The Best Robert Creeley Movies. Go to The Best Shows

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poster

67

40

7.2

/879/

58

/16/

52

/13/

3.5

/457/

88

/16/

68

/43/

66

/9/

Traces the Beats from Allen Ginsberg and Jack Kerouac's meeting in 1944 at Columbia University to the deaths of Ginsberg and William S. Burroughs in 1997. Three actors provide dramatic interpretations of the work of these three writers, and the film chronicles their friendships, their arrival into American consciousness, their travels, frequent parodies, Kerouac's death, and Ginsberg's politicization. Their movement connects with bebop, John Cage's music, abstract expressionism, and living theater. In recent interviews, Ginsberg, Burroughs, Kesey, Ferlinghetti, Mailer, Jerry Garcia, Tom Hayden, Gary Snyder, Ed Sanders, and others measure the Beats' meaning and impact.

poster

50

15

5.3

/349/

34

/17/

49

/18/

3.3

/653/

Two portraits in relation to each other, the first of Robert Creeley, the second of Michael McClure. Preserved by the Academy Film Archive in 2007.

?

10

/1/

During the 1970s I shot, helped to make, or commissioned about ten document films, mainly about film-makers. This film is one of them. It was made with Dan Ochiva, who acted as cameraman on about half of the footage. I shot the rest, and then edited the film. It is a record of a conference held at the State University of New York at Buffalo on March 22-25, 1973. Among the participants filmed were Gerald O'Grady (who organized the conference), Will Hindle, Stan Brakhage, Jonas Mekas, Robert Creeley, Bruce Baillie, Scott Bartlett, Hollis Frampton, Ken Jacobs, Ed Pincus, Stan Vanderbeek, Ed Emshwiller, Sally Dixon, James Cox. This footage will eventually become part of my film PEOPLE, PLACES, THE 1970S. –R. H.

?

8.2

/18/

30

/1/

Documentary about Charles Olson, exploring his life and the significance of Gloucester, Massachusetts.

poster

66

?

6.9

/179/

50

/5/

70

/1/

3.5

/321/

74

/2/

More than 20 contemporary North American poets recite, sing, and perform their work. Early in the film, Charles Bukowski talks about the energy of poets and of a poem. These poets are the children of Walt Whitman and of Charles Olson, incantatory and oratorical, radical, sometimes incorporating contemporary political imagery. Black Mountain poets, the Beats, minimalists like John Cage, the wordless Four Horsemen, Tom Waits, and others capture aspects of poets as troubadours.

?

An intimate film portrait of the American poet, Robert Creeley.

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