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poster
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10
/1/

Kein Ärger mit Cleopatra (1960)
The black cooperative Cornwall boar achieves single-handedly, so to speak, what the LPG functionaries in Bolbitz fail to do. He takes away the individual farmers' fear of the LPG by secretly covering their sows at night. The black piglets frighten the farmers at first, because black litters mean bad luck and presuppose a sin. Collectivization is seen as a sin by the superstitious, especially Grandma Kahlow. But when even the priest's sow is not spared and they find out who the "culprit" is, the superstition dissolves into laughter and the fear of the LPG is banished.
poster
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10
/1/

Der kleine Kuno (1959)
What do grown-ups actually do at night? Little Kuno has been asking himself this question a lot lately. One day, the curious six-year-old decides to get to the bottom of it and sneaks outside his house at night. He wanders around the streets aimlessly and experiences some very exciting things.
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5.8
/12/
10
/1/
50
/3/

Modell Bianka (1951)
The friends Jochen and Gerd both work at the fashion boutique "Saxonia", which has only recently designed a new collection. Therefore, Jochen and Gerd are shocked when they meet two young ladies during their well-deserved holiday who are already dressed in two of the new pieces. And as if that was not enough, they pass the creations off as their own, even though they are employed at the competing company "Berolina". Naturally, the two men refuse to let the matter rest, although they do not actually want to raise a quarrel with the pretty ladies. After some turbulent entanglements they become aware of the foolishness of their squabbling and, eventually, the four of them present the disputed designs as a co-production at the fashion fair in Leipzig.
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6.2
/15/

Censored: Kuhle Wampe (1975)
A detailed reconstruction of the censorship case against the landmark Weimar-era communist film, Kuhle Wampe, or Who Owns the World? (1932). Directed by Slatan Dudow, the crew and cast included left-wing luminaries, such as playwright Bertolt Brecht, composer Hanns Eisler and balladeer Ernst Busch. The film was the subject of vehement disputes and was banned twice for revolutionary and communist tendencies that were perceived to threaten the state. About 230 meters of the original film fell victim to the censor’s shears. This historic censorship case was argued over the course of three sessions. Censored: Kuhle Wampe re-enacts the censorship hearings, based on original minutes and documents, as well as personal records of the case. In addition to footage from the original film, this docudrama includes original clips of Berlin in the 1920s and '30s and short testimonies, filmed in the 1970s, with some of the actors involved in the original Kuhle Wampe film production.
poster
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10
/1/

Distinguishing marks: none (1956)
Post-war Germany: Like so many other women, Gerda Krause has lost her husband during the war and has to fend for herself and her two children. She finds work as a seamstress but refuses the offering of her department chief Zimmermann to upgrade her qualifications. One day she meets Uschi, an old friend of hers, whom she has helped with schoolwork before the war and subsequently lost track of. The reunion reminds Gerda of her childhood dream: to become a teacher. Thus, she decides to enroll at university to make her dream come true.
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Die eigene Haut (1975)
Eighteen-year-old Wolfgang has just passed his A-levels and still has a few months to go before he has to start his military service. Instead of sitting around lazily, he wants to experience something during this time before the serious side of life begins. Wolfgang decides to hitchhike to Poland. There he makes friends with a group of young mountaineers, and Wolfgang's last period of complete freedom begins.


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