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The Best Yōyō Kojima Movies. Go to The Best Shows

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poster

90

8.3

/100862/

82

/1718/

83

/1278/

4.5

/175635/

98

/57/

96

/1465/

92

/20/

4.0

age 11+

Kanji Watanabe is a middle-aged man who has worked in the same monotonous bureaucratic position for decades. Learning he has cancer, he starts to look for the meaning of his life.

poster

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10

/1/

When Japan entered into the great tragedy that was unforgettable, the general general of the history of the Ming Dynasty, hokudai Yamashita, left the Malay front and occupied Singapore at once, and was praised as a "Malay tiger." However, the situation in Japan changed steadily by the failure of Sai pan from the GA Talca translation.

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?

10

/1/

N/A

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5.3

/26/

Story of a bandit king part 2.

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?

6.2

/7/

35

/2/

60

/2/

Detective Tarao investigates the deaths of police officers who were involved in solving a kidnapping case.

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10

/1/

Jidai-geki about the life of Yasubei Nakayama, a famous ronin who did participate in the revenge against Lord Kira Yoshinaka as detailed in Japan's famous epic Chushingura

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10

/1/

Jidai-geki by Kiyoshi Saeki (Part 1 of 2)

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10

/1/

A film by Kiyoshi Saeki

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10

/1/

A sad love story between young Umihiko Kojima and a beautiful girl named Yukiko Shino.

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6.0

/11/

40

/1/

Song of the White Orchid was a co-production of Toho and Mantetsu, the railway that served the colonial region of Manchuria, and the first film in the Kazuo Hasegawa/Shirley Yamaguchi (Ri Koran) “Continental Trilogy.” Handsome Hasegawa (representing Japan) runs up against an impertinent Yamaguchi (representing the continent); not surprisingly, in the course of the film the woman comes around and realizes the benevolent intentions of the Japanese. In Song of the White Orchid Yamaguchi leaves Hasegawa, who plays an expatriate working for the railway, because of a misunderstanding. She joins a communist guerilla group plotting to blow up the Manchurian railway. Learning of the subterfuge that led to the misunderstanding, she renews her faith in Hasegawa—and by extension Japan—and tries to undermine the plot.

poster

?

6.6

/9/

A film dealing with the comings and goings of individuals in the immediate postwar period.

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?

10

/1/

A romantic melodrama about the shifting relationship between Ryosuke and Miki as their precarious employment and social circumstances shift around them.

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6.3

/59/

60

/1/

60

/5/

The premature death of a young mother serves as inspiration for her husband and son.

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5.5

/12/

60

/1/

A Japanese army engineer (Hasegawa) on the mainland must put his personal feelings for a beautiful Chinese woman (Ri) aside if he is to succeed at building a highway through the "bandit"- (aka anti-Japanese militia-) infested hinterlands.

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10

/1/

One of the earliest Japanese cop films following a mysterious killing on the last train to Mitaka, Tokyo.

poster

?

7.6

/8/

60

/1/

Shot mostly in Tokyo, this comedy depicts two Chinese tourists who have travelled from their country to Japan in order to experience the latter country.

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6.8

/33/

This epic depicts the battle between Uesugi Kenshin and Takeda Shingen. The focus of the story is the struggle by the unit leader in charge of the main supply wagons and the supply troops to transport materiel to the Uesugi army. To this are added episodes involving an itinerant woman.

poster

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6.9

/45/

40

/1/

When writer Kaoru and her sister-in-law Miyoko fall in love with each other, Kaoru's jealous husband tries to put an end to their relationship by making life difficult for the two women.

poster

64

?

6.8

/165/

60

/4/

65

/8/

Three humorous love stories set in rural Japan.

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64

?

6.9

/218/

50

/3/

70

/3/

3.5

/206/

Sumiko's father sends her to live with her alcoholic uncle. He sells her to a circus, which is the start of a downward spiral in an unforgiving world.

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7.3

/35/

10

/1/

72

/6/

Based on a 1956 television feature on Japan’s national network, NHK, this is one of Uchida’s rarest films. A socially conscious drama with a contemporary backdrop, Dotanba focuses on the attempts to rescue a group of trapped miners. The title is a figure of speech — (essentially “last minute” or “eleventh hour”) — that refers to a situation of peril. The film boasts a script co-written by Uchida and Akira Kurosawa’s frequent screenwriter, Shinobu Hashimoto, and stars Kurosawa’s frequent star Takashi Shimura.

poster

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6.9

/45/

Story of a bandit king.

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This is the first film in the third installment of the adventure film for boys that depicts the battle between a thief who calls himself "the secret envoy of the Demon Lord" and private investigator Hideo Sayama. In the Toei, the roles are twenty faces and Kogo (Twenty Faces) and Akechi Kogo, with a content that seems to be strongly conscious of the "boys' Detectives" series of Edogawa Rampo, which was later made into a movie.

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"Karayuki-san offers a no-holds-barred depiction of the discrimination faced by a former prostitute who returns to Japan from Singapore with her mixed-race son." - Alexander Jacoby (Oxford Brookes University)

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Miyamoto Tokunosuke works at a Detective Agency in the heart of Tokyo. When his lover Ranko tells him that she's pregnant, he begins to worry. His company hasn't paid his backsalary and he doesn't know how he will pay for the new baby. His friend Suihei tells him about a job at a bar, but on his way there, Tokunosuke meets a mysterious man who sells him a newspaper...for tomorrow!

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5.0

/7/

Set in Qingdao, China, a Japanese company locates an office there and begins work and cooperation with a local Chinese company for business. Many Japanese engineers also move to China, with their families, for the company in order to construct a canal. There are young Chinese resisting the Japanese in this area.

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Hikoroku Laughs a lot

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Tadashi Imai 1946 movie

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Hide-chan (Hideko Takamine) and her family are on a trip to Tokyo. While visiting a fairground, a pickpocket (Kamatari Furukawa) steals the father's wallet. While everyone is trying to hunt down the thief, Hide-chan decides to make the most of it and enjoy her stay, while the thief and his main pursuer (Akira Kishii) play hide-and-seek among the funfair's spectacles and freakshows

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Jidaigeki from 1940

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The prewar film Haha no kyoku (Mother's Melody, 1937) is known for its place in Japanese film history as one of the top three melodramas as well as for its authorship: Yamamoto Satsuo is an auteur not usually associated with filming melodramas. Yamamoto made the film right after he moved, along with his mentor Naruse Mikio, to the Toho film company. A number of subsequent postwar mother's films adopted some of its essences, making it a genre-defining moment in Japanese cinema. This great melodrama is atypical of Yamamoto's output, much of which deals with political corruption and inequities within social institutions and offers a strong anti-establishment appeal.

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A modern take on history with songs and comedy presented by Enoken (as Gonza), Fujiyama (as Sukeju), and Kasagi (Gonza’s wife Osaki).

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Enoken's anachronistic take on the beloved (and already very funny) Edo-period novel "Shank's Mare," aka Tōkaidōchū Hizakurige, in which Yaji and Kita, two plebeian nobodies, have all sorts of strange and colorful encounters on the long road from Edo to Kyoto.

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