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The Best Julien Schoenaerts Movies. Go to The Best Shows

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poster

73

53

7.5

/4572/

73

/104/

70

/64/

3.4

/2160/

81

/13/

In the 1890s, Father Adolf Daens goes to Aalst, a textile town where child labor is rife, pay and working conditions are horrible, the poor have no vote, and the Catholic church backs the petite bourgeoisie in oppressing workers. He writes a few columns for the Catholic paper, and soon workers are listening and the powerful are in an uproar. He's expelled from the Catholic party, so he starts the Christian Democrats and is elected to Parliament. After Rome disciplines him, he must choose between two callings, as priest and as champion of workers. In subplots, a courageous young woman falls in love with a socialist and survives a shop foreman's rape; children die; prelates play billiards.

poster

58

17

5.5

/898/

54

/29/

61

/16/

3.0

/518/

A tale centered on the Battle of the Golden Spurs in 1302 where the Flemish rank and file won a major victory over the glorious French knights.

poster

68

14

7.0

/366/

68

/7/

69

/13/

3.4

/482/

A pessimistic urban drama, with a musical score by Jack Sels and Max Damasse, charts in strongly expressionistically lit black-and-white images the wanderings of a tormented man through the cosmopolitan port city of Antwerp. The only people to show him understanding are an orphan and two disillusioned women.

poster

57

9

6.4

/494/

50

/10/

59

/15/

3.4

/201/

47

/2/

A lighthouse guardian leads a young prince towards an imaginary world, Taxandria, where the boy learns about the power of love and the value of liberty. A totalitarian regime has forbidden time: time watches have been confiscated, photo cameras are illegal as they freeze a point in time. A typical Servais theme: a power is oppressed by a constraint that denies what is best in the individual, and therefore has to be twisted in various ways, to establish an entirely artificial world, that has rules that may question some of the rules of our world at this side of the mirror.

poster

?

3.9

/17/

10

/1/

50

/1/

An actor and poet falls in love with a former mortuary photographer turned waitress. They find themselves caught up way over their heads in a dirty political and financial affair, an art smuggling case that touches them merely for the fact that it may separate them, be it through death or exile.

poster

?

6.8

/78/

30

/2/

67

/3/

An nobleman question an aged grave warden, whose sickness seems to be due to the ghosts who haunt his workplace.

?

10

/1/

A miserable man owns a secondhand store. He is mean to his customers and to his assistant. One day, a boy and a girl come into the shop to sell a golden watch they are very fond of.

poster

?

5.5

/77/

10

/1/

44

/5/

A female writer bases her newest book on the affair she had with her publisher in this Dutch drama. Lin is the glamorous writer who finds herself pulled out of a canal by two riverboat men. Her story is told in flashback. Her recently published book "Wildgroei"(Dutch for "Wild Growth") chronicled her one-sided passion for her publisher Emile who chose Lin's sister Marot instead.

poster

?

7.3

/21/

10

/1/

Unrelenting pessimism dominates this slow-paced, dark film, the debut feature from director Digna Sinke dedicated to an archetypal born loser named Marian (Josee Ruiter). Marian is a journalist who has been working in Latin America and who arrives home just after her father dies to find out that the man she had married for purely political reasons might be deported because the authorities found out he was not living with her. Meanwhile, Marian is upset that her mother and sister are keeping her mentally handicapped brother in an institution, and she goes there to get him released into her custody -- a mistake it turns out. He is actually worse off with her, and vice-versa. On top of everything, Marian cannot break away from the depression she feels over a tragic incident that happened while she was in Latin America -- and anything she does is colored by that moment from the past. These burdens become almost too much to bear, both for Marian and the viewers.

?

10

/1/

About the friendship between a Western tourist and a coachman from Morocco.

poster

54

?

4.9

/227/

65

/2/

48

/4/

Ellektra is a story about comfort. The main character Sam finds real comfort and is released from her virtual comfort, drugs. Her true comfort is the sixteen year old girl Ellen, who puts people suffering from severe misfortune into contact with each other through SMS, and gives new meaning to their lives.

poster

43

?

5.8

/104/

17

/4/

54

/5/

The captain of a ship in port has been entrusted with a secret government mission. He gives leave to the crew, but orders them to report back each morning. As the days go by, and the sailing date still remains a secret, the crew are thrown into a state of increasing uncertainty. The film concentrates on two crew members whose experiences are coloured by the omnipresent reality of the ship which is about to depart.

?

5.5

/13/

10

/1/

A widower is being courted by 3 women, ... .

?

5.8

/19/

20

/1/

The story of Lieve, a young orphan who lives with her aunt in a house for elderly people. When she finds a wounded pigeon, she integrates it in her world of fantasies and is persuaded that the pigeon is Jesus.

?

6.5

/25/

10

/1/

Tragicomedy about a man who hears he has got one more week to live and who brings his two water turtles to the sea to set them free.

poster

?

6.6

/99/

30

/2/

75

/2/

Kamiel steals the famous Brussels statue of Manneken Pis to impress his girlfriend Denise, the daughter of the man who is supposed to guard it. The Belgians, however, wrongly accuse the Dutch of having stolen their statue and hit back by stealing the statue of Hansje Brink.

poster

?

6.5

/100/

60

/2/

45

/2/

De Mantel der Liefde is a bizarre, over the top and at times hilarious settling of scores with the Catholic Church, commercial movie culture and 1970's petit bourgeois Dutch culture in general.

?

Essentieel (1964) is a short experimental film made by Belgian abstract painter Jef Verheyen in collaboration with poet Paul De Vree. A cinematic equivalent of Verheyen’s attempts in representing the warmth and vibrations of light in his monochrome or ‘essentialist’ paintings of the late 1950s and 1960s, the film plays on the tensions between abstract color surfaces and natural elements.

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