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The Best Bernard Eisenschitz Movies. Go to The Best Shows

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poster

85

7.9

/82886/

78

/1467/

77

/1447/

4.3

/170971/

95

/65/

93

/2057/

79

/9/

4.0

Two angels glide through the streets of Berlin, observing the bustling population, providing invisible rays of hope to the distressed, but never interacting with them. When one falls in love with lonely trapeze artist, the angel longs to experience life in the physical world and finds that it might be possible for him to take human form.

poster

80

60

7.4

/1686/

68

/29/

72

/59/

4.1

/4908/

96

/24/

85

/16/

87

/7/

While two theater groups rehearse plays by Aeschylus, two solitary individuals wander the Parisian streets hustling the populace for cash.

poster

67

37

7.1

/844/

57

/4/

64

/41/

3.9

/1677/

Director Jean-Luc Godard reflects in this movie about his place in film history, the interaction of film industry and film as art, as well as the act of creating art.

poster

68

29

6.9

/978/

64

/22/

47

/19/

3.6

/861/

86

/7/

71

/2/

A porcelain table service and a painting from the 19th century pass from hand to hand and deteriorate over time, sealing the fate of different characters who cross paths in Paris.

poster

42

27

4.7

/348/

31

/28/

39

/45/

2.7

/1774/

44

/9/

Jilted on his wedding day, Laurent, a stage actor playing the role of the famous seducer Don Juan, cannot help but see his ex-fiancée in every women he meets. In an attempt to mend his broken heart and ego, he tries to seduce them all but none are receptive to his elaborate (and musical) advances. Meanwhile, at the theater, the leading lady quits and the production brings in Laurent’s ex-fiancée as the replacement.

poster

52

9

5.5

/140/

35

/2/

52

/12/

3.3

/399/

Thirty years old, a nothing job, a timid love affair: Rémi is a little at sea in his life. Until the day when he must share it with his double, another him, invasive and not so nice. Which one will be the true Rémi?

poster

?

100

/1/

N/A

poster

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10

/1/

N/A

poster

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60

/1/

Written and directed by Hitchcock historian Noël Simsolo, this 2004 French television documentary explores the earliest years of Alfred Hitchcock's film career, beginning with his success in the production of The Lodger (1926) and following the filmmaker through his transition to sound films and his early thrillers.

poster

?

6.8

/99/

65

/4/

Nastassia Philippovna finds herself juggling the affections of four men over the course of a single evening. One is her benefactor, the bourgeois Totsky. Another is the opportunistic Ganya, whom Totsky has promised 75,000 rubles if he will marry Nastassia. Rogozhin offers Nastassia 100,000 rubles for her hand. And the “idiot,” Prince Myshkin, loves Nastassia madly and vows to “save” her.

poster

63

?

6.5

/107/

71

/5/

49

/7/

3.5

/235/

Whilst seeking out locations in the South of France for his next film, director Luc Moullet comes across a male corpse. He immediately decides to use this to his advantage. By swapping his passport with that of the dead man, Moullet hopes that the world will believe he is dead, thereby ensuring a renewed interest in his work. Unfortunately, the scheme backfires, since the dead man was someone rather important...

poster

?

6.7

/20/

70

/1/

60

/1/

The fascinating and tumultuous lives of Mikhail, Boris and Denis Kaufman (better known as Dziga Vertov) are the focus of this powerful documentary. Using rare archival footage from Russian state film archives and private collections, the brothers' lives and art are traced from Bialystok to Moscow, Paris, and Hollywood.

poster

?

85

/2/

60

/1/

Five, even six, variations on a theme, commentary and interpretation of the same photograph. An exercise to tell and summarize the history of the Cinémathèque française.

poster

?

6.3

/33/

20

/1/

70

/2/

N/A

poster

54

?

5.9

/185/

30

/2/

57

/3/

3.5

/295/

A famous French filmmaker is hired by a major Hollywood producer to make a documentary on the state of post-Cold War Russia. The filmmaker, though, subverts the project by stubbornly remaining in France and casting himself as the title character of Dostoyevsky's "The Idiot," offering up a series of typically Godardian musings on art, politics, the nature of images and the future of cinema.

poster

52

?

6.1

/107/

47

/4/

52

/6/

Two interconnected stories in the 1930s, one set in Berlin, the other in Palestine: Mania Vilbouchevich Shohat (1880-1961), called Tania, a Russian Jew and revolutionary, goes from Minsk to Palestine to live on a collective. She promotes feminism and laments a shift in the men from self-defense to aggression. Her friend, Else Lasker-Schuler (1869 - 1945), expressionist poet and German Jew, is in Berlin, writing, caring for her son, watching Hitler's movement take power. She goes to Jerusalem and imagines a park for Arab and Jew. Her poems, voiced from within, capture her experience. The film meditates on the violence at the root of Israel's birth: of the Nazis and of the Zionists.

poster

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The man who leaves prepares his departure.

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Blank's TV documentary on Straub-Huillet.

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Perhaps it speaks to the sheer power and beauty of L’Atalante that 40 years after its initial butchered release, critics and fans still seek to piece together Vigo’s vision – and debate the choices involved in that process. Bernard Eisenschitz, who was involved with Luce Vigo (daughter of Jean Vigo) in the 1990 reconstruction of this masterwork, takes us into the raw materials by which this complex film was re-envisioned and continues to be analyzed and changed today. An important vision of film as a tradition of viewership, curation and exploration.

poster

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An interview with film Critic Bernard Eisenschitz discussing the progression of Ernst Lubitsch's career, from the director's beginning in German silents through CLUNY BROWN, the last film he saw to completion.

poster

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Jean-Louis Comolli and Jean Narboni, former editors at Cahiers du Cinema, interview their former colleagues and fellow travellers during the "Red Years" of the journal between 1968 and1973.

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Posthumous portrait of Chris Marker, the elusive French filmmaker- essayist, traveller, photographer and cat-lover. Two filmmakers, Jean-Marie Barbe and Arnaud Lambert, propose a chronological journey through his thoughts and cinematographic work: from the cartography of new political utopia in the 1950s, from Siberia to La Habana, to its relentless defeat, starting with Chile; from his review of cinéma-verité to the great television experience in "L'Héritage de la chouette", which traces a journey through classical Greece, organized into twelve words.

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