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poster

74

41

7.2

/716/

65

/12/

76

/18/

3.7

/1023/

87

/54/

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/28/

A film by Frederick Wiseman following the ins and outs of 7 ballets by the Paris Opera Ballet.

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7.2

/26/

45

/2/

Jewels, ballet in three parts choreographed by George Balanchine for the New York City Ballet, recorded in October / November 2005 at the Opéra National de Paris.

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Theseus, Duke of Athens, and Hippolyta, queen of the Amazons, become caught up in a domestic quarrel between the king of the elves and the queen of the fairies which results in the intervention of the mischievous Puck and his magic potion along with a troupe of amateur actors. The denouement is celebrated in the form of a grand virtuoso entertainment. One of George Balanchine’s rare narrative ballets, A Midsummer Night’s Dream is entering the Paris Opera Ballet’s repertoire. The sets and costumes for this production have been designed by another magician of the stage, Christian Lacroix.

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Giselle, the Romantic ballet par excellence! Relive the story of a young country girl's innocent love for the Duke Albrecht. When she learns that he is already engaged to marry a princess, Giselle suffers violent hallucinations and then dies. In vengeance, the Queen of the Wilis—the ghosts of young girls who die before their time—condemns Albrecht to dance until he dies of exhaustion...

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In 2008, the Opéra national de Paris honored the legendary Jerome Robbins. Though the general public may remember him primarily for his staging and choreography of Bernstein’s West Side Story, Robbins was also a brilliant ballet choreographer. In this production, we discover three of his works of classical ballet—En sol, In the Night, and The Concert—paired with Benjamin Millepied’s Triade.

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An adaptation of Charles Perrault's fairy tale by Rudolf Nureyev, putting Cinderella beneath the spotlight. When Rudolf Nureyev asked set designer Petrika Ionesco to work on his forthcoming ballet, he did not expect him to give such an innovative arrangement of Perrault's or Petipa's Cinderella. Still, after a hostile reaction, the choreographer was seduced by the idea. Because in essence, the "topic" was preserved, although modernized. A young woman is victimized by a morbid family, and her only wish is to escape the oppressive world in which she lives. One day, her kindness is rewarded: while she runs to help a person who needs help, she changes her destiny forever. This character, who embodies the fairy in Perrault's tale, is a Hollywood producer... And this is how Nureyev turns the film star into a modern prince charming.

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