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poster

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6.3

/20/

20

/1/

Rigoletto is a jester in the court of the Duke of Mantua. He has a hunch-back and he's rather unattractive, but he's good at his job of humiliating the courtiers for the amusement of the Duke. The courtiers, of course, are not amused. The Duke is a ladies man who feels his life would be meaningless if he couldn't chase every skirt he sees. In fact, we learn as the opera begins that he's recently been noticing a young lady every Sunday on her way to church, and he's vowed to have his way with her. What nobody realizes is that the girl is the jester's beloved daughter, Gilda, and that Gilda has seen the Duke every Sunday and is smitten with him. Suddenly Count Monterone appears at court, furious that the Duke has seduced his daughter. Rigoletto ridicules Monterone, the Duke laughs, and Monterone casts an awful curse on both of them. Later, the courtiers discover that Rigoletto is secretly living with Gilda...

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7.1

/10/

95

/2/

Part of Tutto Verdi series - Macbeth (2006) Parma. Macbeth is one of the most multi-layered, profound and demanding roles that Verdi ever wrote for a baritone and the Italian singer Leo Nucci is arguably the most distinguished in his field. The role has repeatedly brought him lasting success and he enacts it with an intensity that only the very experienced stage personality can muster. French singer Sylvie Valayre is known for her versatile interpretations of spinto and dramatic coloratura soprano parts, especially for particularly gruelling roles like Lady Macbeth. Supported by Italian bass Enrico Iori as Banco and tenor Roberto Iuliano as Macduff, they make up a wonderful cast under the baton of Bruno Bartoletti, musical director of the Teatro Regio di Parma.

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6.2

/5/

10

/1/

Kraus - Nucci - Serra - Pertusi - Vespasiani ... Chour du Théâtre Regio de Parme Orchestre Symphonique dell'Emilia Romagna "Arturo Toscanini" ANGELO CAMPORI - Parme, 02/1987

poster

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10

/1/

The historic 1984 revival performance of Il viaggio a Reims was the first time in over 150 years the opera was performed. Set in a luxurious hotel in Plombières-les-Bains, the opera follows a diverse group of aristocratic characters as they gather to celebrate the coronation of King Charles X of France. Amidst the festivities, wacky antics ensue, romantic entanglements unfold, and the characters face various comedic and dramatic challenges, showcasing Rossini's masterful blend of music, comedy, and drama.

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7.9

/25/

20

/1/

This was Domingo's last set of performances as Otello in La Scala. In spite of his relatively advanced age, he is still in excellent form, both vocally and in terms of stage presence. Nucci is also his usual self, delivering a performance of very high standard. Barbara Frittoli is an excellent Desdemona, in good voice and gives a very moving performance. Muti conducts with great emotion and tight accuracy, conveying the full orchestral drama of the score.

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10

/1/

Verdi - Un ballo in maschera / Domingo · Barstow · Quivar · Jo · Nucci · Rydl · Chaignaud · Wiener Phil. · Solti · Schlesinger · Salzburg Festival 1900

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20

/1/

Celebrating a great artist is always a gala occasion, but when the honoree is the legendary Luciano Pavarotti, the event is one to treasure. To pay tribute to the 30th anniversary of Pavarotti’s Met debut, the company featured him in fully staged excerpts of three operas: Act II of Donizetti’s L’Elisir d’Amore, Act III of Puccini’s La Bohème (the opera he sang at his debut), and Act IV of Verdi’s Aida. Joining the superstar tenor were colleagues like Ruth Ann Swenson, Leo Nucci, Daniela Dessì, Maria Guleghina, and Dolora Zajick, all conducted by James Levine.

poster

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10

/1/

Un ballo in maschera (A Masked Ball) is an 1859 opera in three acts by Giuseppe Verdi. The text, by Antonio Somma, was based on Eugène Scribe's libretto for Daniel Auber's 1833 five act opera, Gustave III, ou Le bal masqué. The plot concerns the assassination in 1792 of King Gustav III of Sweden who was shot, as the result of a political conspiracy, while attending a masked ball, dying of his wounds thirteen days later.

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20

/1/

100

/1/

N/A

poster

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10

/1/

This first-rate 1982 production of Verdi’s Falstaff marked the great 20th century Italian maestro Carlo Maria Giulini's return to opera conducting after more than a decade's absence. Renato Bruson leads a brilliant cast as the lovable fat knight Sir John Falstaff, going toe to toe in a series of hijinks with Katia Ricciarelli (Alice Ford) and Brenda Boozer (Meg Page).

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8.7

/75/

91

/6/

85

/2/

Donizetti's L'Elisir d'Amore is one of the staples of the comic opera repertory. The plot hinges on whether earnest but dim-witted Nemorino will snag Adina, the flirtatious heroine. She's a tease who takes up with Belcore, an army sergeant, to make Nemorino jealous. After numerous (and humorous) plot twists that include a phony love potion, it all ends happily. Adina and Nemorino declare their love for each other, Belcore is dumped, and the fraudulent Dulcamara does a landslide business in love potions. It's all a fast-moving bundle of fun, especially with the star-filled cast of this 2005 Vienna State Opera performance.

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10

/1/

80

/1/

Opera greats Luciano Pavarotti and Joan Sutherland -- one of the most acclaimed tenors and one of the most beloved sopranos of the 20th century -- take the stage at the Met for a gala evening of opera scenes with special guest Leo Nucci. Filmed in 1987, the memorable program includes scenes from the first and third acts of Donizetti's "Lucia di Lammermoor," the third act of Verdi's "La Traviata" and the third act of Verdi's "Rigoletto."

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8.1

/46/

Verdi's opera performed by the Metropolitan Opera Orchestra and Chorus, conducted by James Levine.

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70

/1/

The spectacular production from the 2007 festival at the historic Arena di Verona. Renowned Verdi singers Leo Nucci and Maria Guleghina take on the roles of Nabucco and his daughter Abigail. Daniel Oren conducts Verona's resident orchestra. Filmed in High-Definition.

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40

/2/

Claude D'Anna's film of Verdi's Macbeth is a gloomy affair, stressing the descent into madness of the principal villains. It's acted by the singers of the Decca recording of the opera (with two substitutions of actors standing in for singers) and the lip-synching is generally unobtrusive. The musical performance is superb, conducted by Riccardo Chailly with admirable fire, and sung by some of the leading lights of the opera stages of the 1980s. Shirley Verrett virtually owned the role of Lady Macbeth at the time, and she delivers a terrific performance, the voice equal to the role's wide register leaps and it's suffused with emotion, whether urging her husband on to murder or maddened by guilt in the Sleepwalking Scene. Leo Nucci's resonant Macbeth may lack the ultimate in vocal color and steadiness (his last notes of the great aria Pietà, rispetto, amore are wobbly) but he compensates with intensity in both singing and acting.

poster

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7.4

/9/

100

/1/

Live performance at Opernhaus Zürich in 2006. Nello Santi conducting Orchester der Oper Zürich and Chor der Oper Zürich. Directed for the stage by Gilbert Deflo.

poster

72

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8.7

/111/

63

/3/

65

/2/

La traviata (Italian: [la traˈviaːta], "The Fallen Woman"[1][2]) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally entitled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.[3]

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6.8

/9/

Tosca is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro Costanzi in Rome on 14 January 1900. This version is conducted by Riccardo Muti at La Scala, Milan.

poster

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7.3

/59/

10

/1/

This production of Giuseppi Verdi's opera based on Macbeth, the famed play by William Shakespeare, is a musical succès d'estime but falls short in the cinematic arena. Shirley Verrett stars as the murderous and ambitious Lady Macbeth, Leo Nucci co-stars as her similarly ambitious but slightly more scrupulous husband, who has the good grace to feel some horror at his deeds before he does them. The entire opera was filmed inside a Belgian castle, and some of the smaller parts are obviously lip-synched to pre-recorded music.

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7.8

/13/

70

/1/

Part of Tutto Verdi series - I due Foscari (2009) Parma

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Nabucco the complex story of Nebuchadnezzar the King of Babylon, who proclaims himself God and is hereon afflicted with madness remains a success with audiences. The director Günter Krämer paid particular attention to the interpersonal component of the opera accentuating the conflict-ridden king's loss of power as the core. His Nabucco is the tragedy of a mighty ruler. Leo Nucci, the baritone well known at all the great opera houses of the world, is Nabucco. After experiencing him at the Vienna State Opera, a critic wrote of his "fascinating timbre" and "intense and plausible acting". Maria Guleghina, who performs Abigaille, is one of the most celebrated and acclaimed sopranos of the world. She has been described as "Russian soprano with Verdi flowing through her veins". Supported by a distinguished cast (Marina Domashenko, Miroslav Dvorský, Giacomo Prestia) this Nabucco is a must for opera lovers.

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Juan Pons, Barbara Frittoli, Mariana Lipovsek, and Leo Nucci star in this 2008 La Scala production of the Puccini trilogy (Il Tabarro, Suor Angelica, and Gianni Schicchi) conducted by Riccardo Chailly.

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N/A

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Arena di Verona Opera Festival 2019 starts with La Traviata in the new stage design signed by Franco Zeffirelli, the last great Master of Italian direction. The new production takes the form of the ultimate synthesis of his aesthetic thoughts on Traviata.

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Live performance of April 5, 2005 at the Teatro Comunale di Bologna. Leo Nucci, Dimitra Theodossiou, Mariana Pentcheva, Miroslav Dvorski lead the cast. The Orchestra & Chorus of the Teatro Comunale di Bologna is conducted by Carlo Rizzi. Optional English, French, Italian, Spanish and Japanese subtitles. A Hardy Classic Video release. Color, 130 minutes, 4:3, All regions IL TROVATORE Music by Giuseppe Verdi Cast: Il Conte di Luna - Leo Nucci Leonora - Dimitra Theodossiou Azucena - Mariana Pentcheva Manrico - Miroslav Dvorski Ferrando - Andrea Papi Ines - Bernadette Lucarini Ruiz - Enrico Cossutta Un Vecchio Zingaro - Raddaele Costantini Un messo - Martino Laterza Orchestra and Chorus of the Teatro Comunale di Bologna Carlo Rizzi, conducting

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