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poster
70
7.7
/23443/
76
/594/
75
/575/
4.1
/33584/
61
/51/
92
/621/
44
/25/

Kikujiro (1999)
Brash, loudmouthed and opportunistic, Kikujiro is the unlikely companion for Masao who is determined to see the mother he has never met. The two begin a series of adventures which soon turns out to be a whimsical journey of laughter and tears with a wide array of surprises and unique characters along the way.
poster
56
11
5.6
/159/
55
/14/
47
/15/
3.3
/522/

Ambiguous (2003)
Five suicidal people meet on the Internet and form a 'suicide group'. They arrange to meet at one of the member's homes to spend their last hours together.
poster
?
20
/1/
35
/2/

The Sister‑in‑Law Who Yearns: A Promiscuous Relationship (2001)
Megumi’s every thought pulses with desire as she pours her loyalty—and her body—into supporting her struggling actor husband, Kazuo. Their modest home brims with unspoken yearning, each tender kiss at night a reminder of passion simmering beneath routine. When Kazuo’s dazzling star brother Ryōji arrives, Megumi feels his evil gaze tracing her curves, his breath hot at her ear. Left alone together, Ryōji’s hand drifts along Megumi’s arm, igniting a wildfire of forbidden heat that surges through her veins. Their stolen glances become urgent kisses; his fingers map the soft valley between her breasts as her sighs echo in the silent room. Caught in the throes of decadent temptation, Megumi teeters on the edge of a choice that could shatter her vows—and unleash every secret craving she’s ever held and become a pure sexual beast.
poster
?
20
/1/

Akira & Akira (2002)
Miki’s office affair leaves her wracked with guilt—only her friend Buuyan truly understands. Buuyan, secretly pining for their charismatic judo sensei, finds herself drawn into an unexpected bond when she stumbles on Kazumi and his young son attempting a petty heist during her night patrol. Instead of calling security, Buuyan’s compassion sparks a series of clandestine, tension‑filled encounters that blur the lines between duty, desire, and fierce protectiveness—each grapple on the tatami igniting raw, forbidden longing filled with lust and sex.
poster
?
20
/2/

The Night of the Earthquake (2002)
Mari and Yasuo are getting "fresh" with each other at the garbage dump when Mari unveils that she knows the whereabouts of a safe holding $100,000. After some convincing, Mari gets Yasuo to help her with the robbery. What these two sexually charged criminals don't know is that Kawada, a sadistic accountant for his gang, is also after the cash, and will stop at nothing to get it. During the night of the robbery, Katsuhiro, the manager of the warehouse in which all of this takes place, checks in the office only to find his co-worker and lover Keiko all tied up by the hands of Mari. Kawada arrives soon after, and as he's about to gut Yasuo like a fish, a massive earthquake shakes the whole city, and everyone is trapped inside. Kawada takes over and maniacly ties everyone up and carries out his savage sexual fantasies.
poster
?
35
/2/
45
/2/

My Brother's Lover (1998)
Kenji breaks up with his girlfriend and goes to stay with his brother, Ryosuke, who is married but is having an affair with a local waitress. It becomes clear quickly that Ryosuke is unhappy with his marriage to Haruyo, who desperately tries to get them to reconnect. One night Kenji goes out alone, to see the mistress of his brother...and they fool around.
poster
?
20
/1/
30
/3/

The Lustful Sister-in-Law 2: Erotic Games (1999)
This is the second installment in the so-called "stupid brothers" series, which depicts the end of a female-loving and selfish sibling and a brother-wife. Directed by the genius of the genius, Toshiya Ueno, and the screenwriter Masahiro Kobayashi continues to follow, and a good work that comically spells out a night where a man and a woman with a personality full of desire are confused, centered on his brother, wife, and younger brother. After finishing his mother's funeral, his brother Ryosuke (Honda Kikuo) and younger brother Kenji (Ebata Hidehisa) go out into the city at night, remembering the emptiness and loneliness. On the other hand, Haruyo (Hazuki Tae) is his wife, Haruyo (Hazuki Tae), who is a man-oriented Ryosuke, who is a man-oriented woman, who is out of the house, reunites with her high school boyfriend at a hot spring inn where she works and warms up old friendships.
poster
?
20
/1/

Mahiru no furinzuma: Mio no kairaku (2003)
N/A
poster
?

Waisetsu oshô: Nyotai fude ijiri (2007)
Pink film directed by Shigeo Moriyama.


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