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poster
69
21
7.6
/1674/
60
/11/
67
/10/
3.5
/596/
75
/10/

Waqt (1965)
A businessman's family is torn apart by an earthquake and reunited years later in a courtroom where father and sons stand opposed in the roles of accused, lawyer, and witness.
poster
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7.5
/72/

Shola Aur Shabnam (1960)
Ravi or "Bunnu" as he's called at home and Sandhya (Chandrakala) are childhood sweethearts despite Ravi being poor, and Sandhya being rich. Sandhya's father, who is a senior official in the Railways is posted to a distant location; Ravi and Sandhya are separated and out of contact. Many years later, Ravi has matured into a strapping young man. Not being rich or influential, Ravi finds it hard to find a job and decides to approach his friend Prakash (played by M. Rajan). Prakash is a happy-go-luck rich kid, whose family runs a large timber factory amid lush jungles, and is only too happy to hire Ravi at a generous salary (Rs.300 per month, although Ravi asks for only Rs.100).
poster
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5.3
/12/
10
/1/

Champakali (1957)
A tale of sublime love and love's supreme sacrifice.
poster
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5.1
/31/
10
/1/

Abe Hayat (1955)
Saamri, an evil magician, causes trouble in the lives of Prince Jalal and his princess. As the situation worsens, the prince sets out to destroy the magician.
poster
?
5.7
/12/
10
/1/

Night Club (1958)
When Bindu's brother is murdered by a night club owner, she decides to take things in her own hands to avenge his death. The film offers a rare window into how and whether she will succeed when she is dealing with an omnipotent villain.
poster
?
7.4
/92/
40
/2/
60
/1/

Maya (1961)
Disillusioned with his wealthy friends, a man pretends to be poor and goes to live in the slums where he falls in love with a burglar's sister.
poster
?
7.8
/104/
30
/2/
60
/1/

Phir Subha Hogi (1958)
Ram is a bright but destitute law student. Out of love for an even poorer girl, he commits a crime that starts chasing him like a ghost. He is torn between 'wanting a punishment' and 'getting away with it.' But, is it really in his own hands?
poster
?
6.7
/70/
30
/2/
100
/1/

Main Nashe Mein Hoon (1959)
Belonging to a family that has a grandfather addicted to alcohol, Mohan Khanna (Raj Kapoor) too is addicted to alcohol, compounded by the fact that he is enamoured with a woman, Miss Reeta (Nishi), who is using him to extort money and vengeance from his Judge father, Kundan Lal Khanna. The only person who is really interested in the welfare of Mohan, in a practical way, is an aged and recently hired servant of the family, who has just been released from prison for killing two people.
poster
55
?
7.3
/105/
38
/8/

Anarkali (1953)
Based on a popular historical legend, Prince Salim has a passionate love affair with a beautiful, sassy commoner.
poster
62
?
6.7
/169/
65
/4/
55
/2/

Jab Pyar Kisise Hota Hai (1961)
About to be married, Nisha learns that Sunder had already been married to another woman, whom he is accused of murdering. And Sunder scrambles to come up with an explanation and absolve himself.
poster
57
?
6.7
/131/
40
/2/
65
/4/

Jhansi Ki Rani (1953)
Set in the 19th century against the backdrop of the Mutiny of 1857, the film is about the bravery of queen Lakshmibai, Rani of Jhansi, who took up arms and led her army against the British.
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Stage (1951)
When a man is framed for murder, a young hero must plunge into the dazzling, dangerous world behind the stage lights to reveal the criminal truth lurking in the shadows of the spotlight.
poster
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Our Darling Daughters (1936)
An epic drama idealising Indian wornanhood. Prince Madan (Kumar) loves university colleague Radha (Rose). The villain Lalsingh (Mubarak) and his sister Vasanthi (Pramila) get him banned from the realm by the king (Vyas), but he marries his beloved anyway. Radha's estranged mother (Jilloo) becomes a priestess distributing free grain. When Radha goes blind, she is abandoned by her husband and unknowingly meets her mother. An earthquake restores Radha's sight and allows her to find a buried treasure. Masquerading as the wealthy Princess Chandni, Radha teaches a lesson to all her tormentors, including the king, the prince and the villain.
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Fariyaad (1942)
An early Indian drama centered on a grievance or plea for justice
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Mata (1942)
A heartfelt social drama that centers on the unwavering love and immense sacrifices of a mother for her children. Faced with myriad hardships—be it poverty, societal challenges, or the ingratitude of her own offspring—the film follow her journey of enduring immense personal struggle to ensure the well-being and future of her family.
poster
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Ek Raat (1942)
A thriller centered on Ravi, who arrives at Heera Mahal on a stormy night. He finds the bungalow now owned by Balraj Sharma, a crippled ex-police officer, and his daughter Rekha. Ravi takes a job with Balraj and learns of Balraj's fear of Jaggi, a man seeking revenge. Ravi and Rekha fall in love and try to help Balraj. The plot thickens when Ravi is accused of two murders, leading to more suspense and revelations.
poster
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Noorjahan (1931)
This silent historical drama chronicles the life of Mehr-un-Nissa, who rises from humble beginnings to become the powerful and influential Empress Noor Jahan, wife of Mughal Emperor Jehangir. The film explores her intelligence, beauty, and significant role in shaping the Mughal Empire.
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Sitara (1939)
A fiery rivalry across two generations of gypsies sparks when a scorned love leads to tragedy. Decades later, a free-spirited young woman, unknowingly caught in the ancestral feud, must reconcile her wild heritage with bourgeois life when a passionate abduction reveals her true lineage and destiny.
poster
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Ujala (1942)
An idealistic theatre owner discovers a captivating dancer, sparking a passionate romance destined for the stage and beyond. But when tragedy strikes on their wedding day, can their love endure the harsh realities that follow, transforming them and the very soul of the theatre?
poster
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Bahurani (1940)
In pre-independence India, a wealthy young zamindar brings a village girl of illegitimate birth into his household after her mother’s death. As she grows up, their bond deepens into love—challenging family expectations and deep-rooted societal prejudices.
poster
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Nursemaid Panna (1945)
Set four hundred years ago, Pannadai is an epic tale from Rajasthan centered on the loyal nurse Pannadai. After Rana Sang of Chittorgarh dies, his Queen Karunavati is besieged by Bahadursingh. Pannadai cleverly secures help from Emperor Humayun, but after the Queen's death, she is entrusted with safeguarding the child-king Udai Singh. Pannadai then faces the treacherous schemes of Banbir, Rana Sang's illegitimate son, who seeks to usurp the throne, leading to the ultimate sacrifice of her own son to protect the rightful heir.
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Savangadi (1938)
A Marathi film directed by P. Y. Altekar.
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Tadbir (1945)
Jayant Desai directs this melodrama centering on Kanhaiyalal (K. L. Saigal) who, according to a fortuneteller at his birth, will consort with a prostitute, grow skillful with a knife, and be sentenced to the gallows. As the film progresses, this unpromising prediction comes true, but in an unexpected manner. After a family tragedy, Kanhaiyalal and his mother find shelter in the home of a kindly whore named Saguna (Suraiya) who eventually sacrifices her life for that of the protagonist. Later, he becomes handy with a knife when he goes to med school and becomes a surgeon. As Kanhaiyalal matures, he and his mother battle against crime and poverty.
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Anban (1944)
Anban is a 1944 Bollywood social film directed by Niren Lahiri.
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Naya Sansar (1941)
Directed by N.R. Acharya.
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Tansen (1943)
Renowned, talent singer Tansen is settled in a small village. He has a lover whom he loves madly namely Tani. His singing talent pampers everyone in his village namely the animals, the Maharaja's and other living organisms.


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