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poster

?

6.0

/7/

10

/1/

50

/1/

The Market of the Unknowns is a burlesque and socially critical tale of a flea market in Oslo, which is organized for the benefit of slum dwellers in Lima. Based a on novel by Åge Rønning.

poster

?

5.8

/40/

10

/1/

55

/2/

Hans Nielsen Hauge was a Norwegian reformer in the early 1800's both financially and spiritually.

poster

?

4.2

/15/

10

/1/

The throne of ice skating sees a change of regent when Hans takes over as “The King”, and the sports press can’t seem to get enough of him.

poster

?

5.7

/73/

40

/1/

N/A

poster

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5.7

/73/

57

/5/

Based on the 1931 novel To levende og en død by Sigurd Christiansen. A post office worker is left wrestling with his conscience following a robbery at his workplace.

poster

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6.7

/41/

Trysil-Knut is a Norwegian film from 1942. Directed by veteran Rasmus Breistein and is a ski themed melodrama about the legendary skier Trysil-Knut from Trysil. He is a powerful patriot, who in the early 1800s prevent that a war breaks out between Norway and Sweden using his skiing skills. While that goes on Knut is also preparing a court case of fraud to determine the ownership of his fathers old farm.

poster

?

6.3

/101/

60

/3/

A conservative old bachelor buys an apartment previously owned by an artist who died suddenly. He has a weird feeling about the place from the start, and gets more and more obsessed by the previous owner's possessions and way of living. Finding some loveletters written by the deceased's mistress, Dott, gives him an irressistible urge to get to know her better.

poster

41

?

6.0

/116/

10

/1/

55

/4/

Tonny is a school boy in foster care who serves his first sentence in jail. We follow him 24 hours before his parole and 48 hours after his release. We get to see his experiences in prison and his relationship with his mother, friends and girlfriend Kari.

poster

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The anniversary of The Norwegian Artists' Association. // Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

poster

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The film deals with poverty in Oslo in the 1930s

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