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poster
53
4.4
/632/
42
/17/
46
/30/
3.0
/275/

Deported Women of the SS Special Section (1976)
Young women in Nazi-occupied countries are packed onto a train and shipped off to a prison camp, where the sadistic commandant uses them as rewards for his lesbian guards and perverted and deviate troops.
poster
51
47
5.4
/5565/
54
/204/
55
/143/
3.1
/5031/
29
/7/
52
/72/

Salon Kitty (1976)
Kitty runs a brothel in Nazi Germany where the soldiers come to "relax". Recording devices have been installed in each room by a power hungry army official who plans to use the information to blackmail Hitler and gain power himself. A girl named Margherita discovers the little ploy and with Kitty's help plans to take on the dangerous task of exposing the conspiracy.
poster
Kanopy
64
17
6.5
/562/
61
/12/
65
/13/
3.4
/732/

Killer Cop (1975)
In a crowded hotel in the center of Milan a bomb has been planted. The time device on its detonator has only minutes to run. A young detective discovers the bomb by accident and is drawn into a terrifying nightmare of intrigue, brutality and ruthless killing. This is a world where human life is sold or sacrificed for twisted ideals. A world of international terrorism. The time is now.
poster
48
?
6.3
/172/
30
/2/
54
/8/

The Tempter (1974)
A young writer is invited to stay in a religious hostel run by a sinister, manipulative nun who plays deadly psychological games with the inhabitants.
poster
61
?
6.1
/256/
63
/3/
56
/8/
3.2
/214/

Blood, Sweat and Fear (1975)
Police believe that a respectable industrialist is actually the head of drug smuggling ring in Milan.
poster
46
?
5.8
/114/
40
/5/
43
/7/

The Long Night (1975)
Two Milanese girls meet in a toilet where a distracted bourgeois forgets a valuable ring. They take it and go in search of someone to sell it to, helped by a southern taxi driver.
poster
?

Nobody's Children (1974)
I figli di nessuno (internationally released as Nobody's Children) is an Italian drama film directed by Bruno Gaburro and released in 1974. The film, a remake of the remake of the 1951 Raffaello Matarazzo movie of the same name, is part of a subgenre of Italian melodramatic films known as "lacrima movies" (or "tearjerker movies").


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