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poster
77
71
7.3
/5836/
68
/169/
69
/120/
3.9
/8748/
95
/22/
80
/75/

The Vampires or, The Arch Criminals of Paris (1915)
Paris is prey to an invisible terror against which the police can do nothing: a sinister organization that sows chaos and death. The intrepid journalist Philippe Guérande and his partner embark on a long crusade to put an end to the crimes of the Great Vampire and Irma Vep, his dangerous accomplice. (A ten episode movie serial.)
poster
57
15
5.6
/382/
55
/6/
56
/20/
3.2
/611/

The Roman Orgy (1911)
The tyrant Emperor Heliogabalus lives a life of debauchery and set lions loose among his guests.
poster
58
11
5.7
/290/
55
/6/
56
/16/
3.3
/284/

Cinderella or The Glass Slipper (1912)
Georges Méliès's first attempt at Cinderella was in 1899. That film was extraordinary then for having multiple scenes and a semblance of a narrative; additionally, the use of dissolves as transitions in it influenced other filmmakers for years to do the same. Méliès was the cinema world's preeminent leader then. By 1912, however, that was no longer the case; frankly, as evidenced by this feature, his style had become dated. Moreover, Méliès had begun to adopt techniques from other filmmakers, such as direct cuts instead of dissolves, and there's even a match on action shot during the slipper trying-on scene.
poster
?
70
/1/

In the Shadow of the Harem (1928)
An emir wants revenge on a secretary who posed as a rival to a beautiful woman. He holds in his palace which refers to himself as a trap, the wife of the secretary, and thinks of becoming her lover. The charm and nobility of the young woman end up softening the emir. He bows, returns her to her husband, and forgives the beauty.
poster
?
6.5
/17/

Woman of Destiny (1928)
Expressing post-war cultural internationalism, this silent film follows the mysterious Orchid and the man who loves her.
poster
?
6.7
/14/

Wedding March (1929)
N/A
poster
?
6.3
/25/

Le Noël du poilu (1915)
A soldier during World War 1 wants to be reunited with his family for Christmas.
poster
?
50
/1/

Mimi-Trottin (1922)
Charming Mimi-Trottin is in love with typographer Louis Chausson, nicknamed Godasse. She meets Doudou, actually a Vicomte, estranged with his parents who are rich automobile manufacturers. Godasse abandons Mimi because of his professional ambitions and Doudou rescues her from a suicide. After making peace with his parents, the young man has Mimi hired as a typist at the factory. After winning a race with one of his father's car, he soon wins the heart and the hand of Mimi.
poster
?
6.9
/48/
80
/1/

Obsession (1934)
A man who suffers from the delirium of persecution and to the point of trying to strangle his wife is interned. His brother, needing his signature for his own business, gets him out of the asylum with the complicity of a false magistrate and against the advice of the doctor.
poster
53
?
5.9
/125/
48
/6/
54
/5/

Cinderella (1907)
This is a compact telling of the Cinderella fairy tale and the film is elaborately staged.
poster
?
6.9
/20/
10
/1/

The Model From Montmartre (1926)
N/A
poster
?
6.0
/16/

Judex (1934)
Judex the vigilante enjoins crooked banker Maurice-Ernest Favraux to distribute his ill-gotten fortune to the city's poor. The thugs decide to kidnap the financier's daughter.
poster
?
5.6
/11/

Severo Torelli (1914)
Pisa, 1494. Young Severo, who has sworn to stab the tyrant in his town, learns that it is his own father.
poster
?
5.3
/129/
47
/4/
56
/10/

Adhémar or the Toy of Destiny (1951)
Is it because his father was a groom that Adhémar Pomme has a long horse head and a horse- toothed smile? Maybe but the fact is that his head has invariably caused laughter whatever the circumstances, which is the tragedy of his life. After having worked as an undertaker, a theater prompter, a casino bouncer, and so on, and failing at each job, he applies out of desperation to an institution where those rejected for physical reasons can hide and live together. But Adhémar immediately starts... laughing at them and gets kicked out as a result! In the end though, he finds his way as a circus artist.
poster
?
5.9
/60/
47
/3/

Mothers of France (1916)
A mother loses first her son and then her husband in the trenches of France during the First World War. She devotes herself to the French cause and to helping those wounded in the war.
poster
?

The Prince of Forgiveness (1916)
The Price of Forgiveness is a French silent film directed by Louis Feuillade , and released in 1916 .
poster
?
7.0
/7/

The Story of Midinette (1915)
During the WWI, Jeannette (Musidora) finds refuge in the South France, among other women. She starts the correspondence with a soldier of the front line and sends him a parcel.
poster
?
6.4
/10/

The Side Show of Life (1924)
An English circus clown finds he's lost his touch after returning from war.
poster
?
6.4
/9/

The Small Gap (1931)
N/A
poster
?

The Little Escapade (1931)
A wife believes her husband has been deceiving her and decides to have some fun at his expense. After a bit of mischief, her husband, a lawyer who is preparing a divorce for a client, decides to start divorce proceedings himself. The wife then realises she has gone too far.
poster
?

The Blindness of Youth (1917)
"A charming story of a young society girl and the pathetic love of a youth..." Considered a lost film.
poster
?

Cage of Girls (1949)
Micheline, who fled to Paris with the man she is in love with, finds herself on her own when he abandons her. She lands in a reformatory from which she manages to escape.
poster
?

The bat (1932)
N/A
poster
?

Le défenseur (1930)
A wealthy financier fatally wounds himself while handling a dagger. Before dying, he leaves a private letter to his lawyer accusing his wife. It is the financier's son who becomes the suspect. In love with the young woman, the lawyer is torn between duty and love.
poster
?

Le Ruisseau (1930)
A famous painter loves Madeleine Granval, a rich and divorced society woman, who cheats on him. To console himself, he goes to Montmartre where he meets Denise Fleury, a young woman who has fallen into poverty.
poster
?

Les trois cousines (1947)
To receive the inheritance of his uncle, who died in Brazil, Claude, who has no money, must absolutely marry one of his three cousins.
poster
?

Ça aussi!... c'est Paris (1930)
N/A


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