Movies - mdblist.com

The Best Ester Anderson Movies. Go to The Best Shows

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poster

55

30

5.8

/2736/

62

/66/

58

/53/

3.0

/626/

37

/12/

This is the story of the shy Mongol boy Temujin who,during the 13th century, becomes the fearless Mongol leader Genghis Khan that unites all Mongol tribes and conquers India,China,Persia,Korea and parts of Rusia,Europe and Middle-East.

poster

52

16

5.7

/932/

56

/9/

61

/24/

3.1

/398/

24

/9/

The Theatre of Death in Paris specialises in horror presentations. A police surgeon finds himself becoming involved in the place through his attraction to one of the performers. When bloodless bodies start showing up all over town he realises there could be links with the theatre.

poster

58

16

6.2

/881/

55

/6/

64

/14/

3.3

/719/

44

/7/

Widower Dr. Matt Younger and his daughter go to London for a month of dirt-bike racing. While there, Dr. Younger is surprised by finding himself attracted to Catherine, a charming but elusive woman who seems to have some mysterious men following her. A romance slowly develops between the doctor and Catherine, but there are complications to their happiness.

poster

42

8

4.9

/594/

38

/11/

44

/12/

3.0

/344/

22

/6/

London nightclub buddies Salt and Pepper link Pepper's dead twin to diamond smugglers.

poster

58

?

6.5

/122/

37

/5/

40

/1/

80

/5/

3.0

An insecure Briton and a Briton of Jamaican descent share a London apartment together.

poster

32

?

5.2

/222/

10

/1/

35

/4/

British rock star with a love-'em-and-leave-'em reputation. The tables are turned when four cute young girls kidnap the singer. After several days of sex and degradation, the poor fellow is rescued by his friends.

poster

?

7.0

/11/

10

/1/

65

/2/

Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows the characters to playfully transform themselves. Shot in colour film, C-film exuberates swinging London energy. In the second part of the film, the women appear to be watching the rushes of the film on an editing table. ”We are making a movie” we hear them say. As Dwoskin points out, “C-film asks how much is acting acted”, an ongoing question in Dwoskin’s cinema. Produced by Alan Power, with Esther Anderson & Sally Geeson.

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