mdblist.com logo The Best Chandramohan Movies. Go to The Best Shows


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6.6
/9/

Beyond the Horizon (1937)
Kodandavarma, a dictator in an ancient Aryan society, rules with a firm hand. When a collapsing statue threatens slaves, Jeevan, a young aboriginal king, saves them and falls in love with Princess Jayanti. The villainous Madhuvrat plots against Kodandavarma, entrapping heir Uttam and forcing dancing girl Lata to seduce him to help the slaves.
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8.7
/56/

Fashion (1943)
Yusuf moves to Bombay with his wife to prove himself but gets entangled with a glamorous woman, putting his marriage and values to the test.
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6.6
/27/
60
/1/

Amar Jyoti (1936)
Faced with extreme patriarchal laws in an ancient seaport kingdom and denied the legal custody of her infant son, a young woman becomes a pirate declaring war on the state's tyrannical minister of justice.
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4.9
/25/
45
/2/
50
/3/

Amrit Manthan (1934)
This classic opens with a sensational low-angle circular track movement as Chandika cult followers meet in a dungeon of flickering lights and deep shadow. As the more rationalist King Krantivarma (Varde) banned human or animal sacrifices from the increasingly fanatical festivals dedicated to the goddess, the cult's high priest (Chandramohan/Date) orders the hapless Vishwagupta (Kelkar) to kill the king.
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7.4
/95/
70
/1/
60
/1/

Shaheed (1948)
A freedom fighter faces opposition from both his father and an ambitious police officer.
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7.3
/82/
57
/4/
65
/4/

Pukar (1939)
A love affair and two feuding families who play out a Romeo and Juliet type drama in 17th century India, under the Emperor Jehangir.
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6.9
/75/
80
/1/
30
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Humayun (1945)
The film follows Humayun’s rise to the throne, his struggles to maintain the empire, and his conflicts with rivals—especially Sher Shah Suri, who defeats him and forces him into exile. Amid political upheaval and personal loss, the story also explores Humayun’s relationships, particularly with his noble wife Hamida Banu. Eventually, with Persian support, he regains his empire, but his triumph is short-lived, as his reign ends with a fatal accident.
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6.1
/22/
50
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Taqdeer (1943)
In between his more ambitious Najma (1943) and Humayun (1945), Mehboob made this lightweight comedy about Justice Gangaprasad (Chandramohan) and theatre-owner Seth Badriprasad (Charlie) who lose their daughter and son respectively in the Kumbh Mela.
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Preet (1945)
A romantic drama exploring the various facets of love
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Bade Nawab Saheb (1944)
A Muslim social film that explored themes of aristocracy, family dynamics, and societal norms within a Muslim community, focusing on the life and challenges of a "Great Nawab" (Bade Nawab Saheb
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Jhankar (1942)
A social drama that delves into the troubles faced by a young woman named Kuki, played by Pramila. Her path crosses with Chandramohan, whose presence appears to complicate her life. The film explores themes of societal challenges and perhaps redemption, as it's described as a "social picture."
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Ram Baan (1948)
The ancient Indian epic of the Ramayana. It follows Prince Rama, his wife Sita, and his brother Lakshman as they embark on an exile to the forest. During their time there, events unfold that lead to the abduction of Sita by the demon king Ravan. The narrative then chronicles Rama and Lakshman's journey to find Sita, their encounters with various allies, and the ultimate conflict to rescue her from Ravan's kingdom.
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Shalimar (1946)
A historical drama that delves into the human side of the legendary romance between Emperor Jehangir and Empress Nur Jehan. The film explores the complexities of their lives, encompassing themes of love, conflict, jealousy, passion, and the pursuit of peace, moving beyond mere regal splendor to portray their emotional journey.
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Raunaq (1944)
Raunaq (1944), directed by Dwarka Khosla, is a Hindi social drama set in 1940s Bombay. It stars Swaran Lata, Noor Mohammed Charlie, Chandra Mohan, Motilal, and Subarnalata .
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Jwala (1938)
This period fantasy is a tale about a good general Angar (Chandramohan) who is corrupted by ambition. Echoing 'Macbeth', the loyal Angar is told by the witch Kuntala (Ashalata) that his king (Bulbule) shall die and that he shall be king instead. Angar then kills that king and seizes power. Departing from 'Macbeth', Angar's wife Mangala (Ratnaprabha) and his friend Tarang (Chandrakant) do not approve and they eventually join forces with the people against Angar.
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Mumtaz Mahal (1944)
Mumtaz Mahal tells the story of Shah Jahan and his wife Mumtaz Mahal, tracing their deep love, her death during childbirth, and his grief that leads him to build the Taj Mahal in her memory.
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Naukar (1943)
Fazlu, a lifelong servant, is wrongly imprisoned after being blamed for his master's son's death. He escapes, believing his newborn is the child reincarnated. The film follows Fazlu's heartbreaking journey as he watches his family crumble under economic hardship, ultimately leading him back to prison.
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Ramayani (1945)
Ramayani is a 1945 Hindi mythological film directed by Sarvottam Badami for Purnima Productions. The music direction was by S. N. Tripathi with lyrics written by Bekal Several films were made in that era based on the Ramayana. Vijay Bhatt made his famous Ram Rajya (1943), and Purnima Productions made their version of the epic, titling it Ramayani The film starred Pahari Sanyal, Nargis, Chandra Mohan, Rose, Kanhaiyalal and Amirbai Karnataki [Wikipedia]
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Shakuntala (1943)
Following a passionate encounter with King Dushyanta (Chandramohan), the comely Shakuntala (Jayashree) finds herself pregnant and rejected by the royal court. She gives birth in a forest to a son which she names Bharat (Kumar Ganesh). When the King tracks his former lover down and tries to take her back, she flatly refuses him.


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