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7.2
/27/
10
/1/
90
/3/

Alain Resnais, the Audacious (2022)
A genius inventor of forms, Alain Resnais is one of the fathers of cinematic modernity. This portrait, rich in archives, looks back on the career of a discreet non-conformist, in perpetual search of renewal to fight against anxiety.
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7.4
/26/
80
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76
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Bacri, comme un air de famille (2022)
Jean-Pierre Bacri was never happy about anything. But beyond the caricature of the grumpy man, from his apprenticeship years to his death in January 2021, this film tells the story of this quintessential Frenchman: a man turned towards others, an actor by accident, a moralist by vocation, who was left unaffected by flattery and false honors by success, and ready for all kinds of anger when it was necessary to speak out against injustice and stupidity. The film tells the story of how Jean-Pierre Bacri's life changed several times: from Algeria to France when he was eleven years old in 1962; from bank clerk to apprentice theater actor; from Pieds-noirs film star to screenwriter for Alain Resnais; and from Cannes playboy to Agnès Jaoui's mad lover, the most decisive encounter for his life as well as for his work
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69
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7.2
/119/
67
/4/
70
/6/

May Days (1978)
Filmmaker William Klein documents the Paris student riots that occurred in May of 1968.
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Propos d'Alain Resnais (2007)
Audio interview with Alain Resnais
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Hiroshima: The Time of Return (2005)
Luc Lagier puts Alain Resnais' film back in its historical context and in the filmmaker's biography. He tells the story, then the development of what was originally intended to be a short documentary film and which turned into an unusual allegory. Composed of fascinating archives, including notably the correspondence between Duras and Resnais, this analysis of 'Hiroshima mon amour' manages to put the film in perspective while detaching itself from it. A rare and captivating work.
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In the Ears of Alain Resnais (2019)
A documentary on the filmmaker with a focus on music and voices in his work, featuring collaborators and critics including the filmmaker himself, actor Lambert Wilson, writer and actress Agnés Jaoui, critic Michel Ciment and others.


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