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The Best Orlando Parolini Movies. Go to The Best Shows

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poster

73

31

7.5

/325/

75

/23/

62

/19/

4.0

/4286/

Transposition of the myth of Faust to modern Brazil. The heir to a bankrupt cigarette factory, amidst a personal crisis, leaves everything behind and heads for a supposed paradise he has seen in a tourist agency, where he believes he could find self-knowledge. In his search, he is inspired by a Mephisto-like character.

poster

69

27

6.4

/194/

74

/19/

59

/12/

4.0

/4309/

Doralice is a simple minded woman romantically fascinated by marriage. However, when she is raped by a butcher, a friend advises her to become a prostitute - and she does it. After that, all her wishes and longings will curl up into a fascinating vortex.

poster

66

24

6.4

/184/

73

/13/

51

/13/

3.8

/1998/

A widow named Sandra is on a trip from the city to reclaim her remote beach house from squatters. She picks up a hippie couple along the way, eventually inviting them to become housesitters at her coastal getaway.

poster

73

13

7.3

/43/

76

/3/

70

/1/

3.8

/1179/

One of the first Brazilian movies to conjecture about contraculture and its reflexes on the behaviour of a generation. A tribute to the late poet and friend Orlando Parolini.

poster

?

5.0

/60/

10

/2/

30

/4/

Segment 1: "Impossible Weekend." Desperate to attract the attention of a sexy teacher, a young man steals an experimental aphrodisiac from the laboratory and mixes it into the teacher's lunch. The result exceeds all expectations. ******** Segment 2: "A Chained Hurricane." A humble clerk, tired of enduring the ridicule of colleagues and mistresses about his sexual failure, decides to end his life; just then, hidden reserves awaken in him. Segment 3: ******** "Brazilian Miracle." Scientists create a robot indistinguishable from a person in the image of a sexy girl. However, the program crashes and the robot leaves obedience and sets off on an independent journey.

poster

67

?

6.3

/45/

75

/2/

60

/1/

3.6

/473/

As filmmaker Jairo Ferreira shoots his life and friends in Super 8mm he also becomes the vampire of the Cinemateca Brasileira in São Paulo. In O VAMPIRO DA CINEMATECA Ferreira develops a poetic representation of his idea of “inventive cinema” without a plot in the classical sense. Ferreira mixes situations of everyday life in the streets of São Paulo with scenes from classics of film history, which he filmed from television or from a projection with his Super 8 camera. The author as a vampire sucks from various sources – not only in cinema, but also in poetry and music – and creates a portrait of his time.

poster

65

?

6.5

/88/

50

/2/

72

/8/

3.7

/409/

Follows the relationship between two couples: An unemployed professor, Fernando, sustained by his factory worker girlfriend Rita, and sexist and reactionary Luís Carlos and inexperient Lilita.

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