mdblist.com logo The Best Ani DiFranco Movies. Go to The Best Shows


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poster
Netflix
58
28
6.2
/1001/
65
/115/
47
/26/
3.3
/1730/
50
/6/

Stand Out: An LGBTQ+ Celebration (2022)
A group of LGBTQ+ comedians get together to celebrate a brand of queer comedy. Legends, headliners, and emerging talent all perform at The Greek Theatre for an unforgettable queer stand-up event.
poster
?
7.7
/16/

The Blue Hermaphrodite
A hip and savvy look at sex, sexuality, gender and pop culture.
poster
?
70
/1/
40
/2/

Ani DiFranco - Live at Babeville (2008)
On September 11 and 12, 2007, singer / songwriter / guitarist Ani DiFranco played two sold-out shows before a hometown audience in Buffalo, New York. What made those nights so special wasn’t just the music—because that’s always special at an Ani show—but the fact that she was playing the inaugural shows in her very own venue, a downtown church once slated for demolition that has been beautifully restored as a state-of-the-art music hall and newly renamed “Babeville.” Ani took the opportunity to fashion a two-night retrospective of sorts, performing songs from every stage of her fabled career in breathtaking new arrangements with her latest touring band; Allison Miller on drums, Todd Sickafoose on upright bass and Mike Dillon on vibes and percussion. The spirit of celebration was in the air, and energy in the room-both onstage and in the audience—was extraordinary.
poster
?
7.5
/26/
70
/2/

1-800-On-Her-Own (2024)
Ani DiFranco was an unmistakable talent that shook the ‘90s alternative music scene. In this vulnerable look at her life today, she struggles to balance artistry with the demands of family
poster
?
7.6
/25/
30
/2/

Radical Harmonies (2002)
Interviews and performance footage are used to provide an overview of the women's music scene.
poster
Kanopy
?
7.0
/15/
20
/1/
10
/1/

The Righteous Babes (1998)
The Righteous Babes shows how the self-affirmative music of young women is renewing the 90's feminism. In the film, audience can experience feminism not in the library but in the rock concert hall. The film shows interviews and performances. In addition, controversial feminists along with American and British women journalists share their views on pop culture.
poster
?
60
/2/
80
/1/

The Best of Sessions at West 54th: Vol. 1 (1997)
Collecting highlights from the debut season of the acclaimed PBS series "Sessions at West 54th," this compilation video captures performances by musical greats such as trumpet maestro Wynton Marsalis and Grammy-winning cellist Yo-Yo Ma. Other artists making appearances include Emmylou Harris, Ani DiFranco, Rickie Lee Jones, Shawn Colvin, Suzanne Vega, Sinéad O'Connor, Keb' Mo', Patti Smith and more.
poster
?
8.3
/41/

Ani DiFranco: Trust (2004)
Over twenty original songs and spoken word pieces by Ani DiFranco. A 90 minute live concert from two shows at the 9:30 Club in Washington DC, USA from May 11 - 12, 2004 with upright bassist Todd Sickafoose and special guests Tony Scherr on electric guitar and Dennis Kucinich.
poster
?
7.4
/51/
40
/1/
70
/1/

Render: Spanning Time with Ani DiFranco (2002)
Ani DiFranco's music blends the intimacy and personal expression of folk music with the passion and energy of punk rock, and her songs (which often embrace political themes when not exploring personal issues) have won her a devoted following who've made her one of the most successful independent artists of recent memory. Render: Spanning Time With Ani DiFranco is a documentary which follows DiFranco on the road during her world tours of 2000 and 2001 (while also incorporating performance footage dating back as far as 1997). Observing both her performances on-stage as well as her interactions with friends, associates, and fellow musicians off-stage, the film offers an insight into how DiFranco's songs take shape in performance, as well as documenting her gifts as a singer and guitarist.
poster
?

Money for Nothing: Behind the Business of Pop Music (2001)
The hallmarks of popular music - artist independence and diversity of voices - are threatened by a contracting marketplace of record companies, radio ownership and playlists, as well as increased use in advertising. Big-name artists, historians and economists explain how popular music is produced and marketed and critique its current state.


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