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poster
Criterion Channel
82
44
7.9
/1808/
75
/16/
76
/19/
3.8
/1395/
100
/11/
88
/7/

Three Daughters (1961)
Three stories with three central female characters linking the stories together. The first one concerns an orphan girl who grows attached to the postmaster she is caring for after he teaches her to read and write. The second one is a supernatural tale about a woman obsessed with the jewels her husband buys for her. The final one follows a young man who falls for an unconventional girl from his new village instead of his arranged bride, the daughter of a respectable family.
poster
?
8.1
/14/
10
/1/

Hansuli Banker Upakatha (1962)
Set in 1941, the film delves into the complexities of rural life in Bengal. It sheds light on the oppressive Zamindari system, a social structure that perpetuates inequality and suffering. By exploring the lives of individuals caught within this system, the film offers a poignant commentary on the changing social dynamics and the growing discontent that would ultimately lead to significant transformations.
poster
?
7.4
/18/
10
/1/

Champadangar Bou (1954)
Setap, a money-minded man, gets insecure when he hears a rumour about his dutiful wife and spendthrift brother, Mahatap. Soon, things go out of hand when Setap's rage takes over. Setap became mad hearing those words from Ghoton.
poster
?
6.9
/14/
10
/1/

The Dawn (1955)
Deeply influenced by leftist ideology, this film dealt with social and political themes: A poor village boy's hazardous experience in a rich urban family.
poster
64
?
7.2
/335/
57
/8/
59
/8/
3.6
/387/

A Soft Note on a Sharp Scale (1961)
Through the microcosmic perspectivising of a group of devoted and uncompromising IPTA workers, Ghatak with his signature style touches on varied issues of partition, idealism, corruption, the interdependence of art and life, the scope of art, and class-struggle.


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