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The Best Willy Fernandez Movies. Go to The Best Shows

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poster

75

16

7.4

/321/

64

/7/

76

/13/

3.9

/820/

83

/2/

A young woman is held captive by her father and forced to become a prostitute. Meanwhile, two men embark on a personal quest for buried treasure. However, both groups of people show signs of debilitating illness.

poster

66

12

6.6

/188/

65

/2/

66

/10/

3.5

/565/

The story is set in a remote spot in the Philippines. The economic crisis has taken over and a group of men doesn’t do much apart from drink. Until an enchanting Canadian woman arrives.

poster

67

10

6.6

/76/

70

/3/

66

/8/

3.4

/544/

In the year 2050, the Philippines braces for the coming of the fiercest storm ever to hit the country. And as the wind and waters start to rage, poets are being murdered.

poster

61

9

6.2

/249/

64

/5/

50

/11/

3.4

/333/

Hong Sang-Soo’s Lost in the Mountains (South Korea, 32min) the visitor is the supremely self-centred Mi-Sook, who drives to Jeonju on impulse to see her classmate Jin-Young – only to discover that her friend is having an affair with their married professor, who Mi-Sook once dated herself. The level of social embarrassment goes off the scale. In Naomi Kawase’s Koma (Japan, 34min), Kang Jun-Il travels to a village in rural Japan to honour his grandfather’s dying wish by returning a Buddhist scroll to its ancestral home. Amid ancient superstitions, a new relationship forms. And in Lav Diaz’ Butterflies Have No Memories (Philippines, 42min) ‘homecoming queen’ Carol returns to the economically depressed former mining town she came from – and becomes the target of an absurd kidnapping plot hatched by resentful locals. Serving as his own writer, cameraman and editor, Diaz casts the film entirely from members of his crew and delivers a well-seasoned mix of social realism and fantasy. —bfi

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