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The Best Yoko Oguchi Movies. Go to The Best Shows

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poster

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56

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3.5

/1325/

In a near future where allergies have become an epidemic, music producer Haru half-heartedly dates post office clerk and mail thief Michi. He searches for violent ways to reactivate his life, she dreams of escaping abroad; both volunteer to test a new drug which may provide a cure.

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The film is divided into two chapters, "First Love" and "Endless Love", in which the author, Yoko Oguchi, chases after a different man, each saying "I love you! and chases after another man. In the second chapter, she screams in public, has sex with a man, shaves her hair and gets (really) yelled at by her parents. Beyond the fictionality and perfection of the drama, the author's daring and daredevil performance have a strong impact on the viewer.

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20

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Indie film by Fujiwara Sho, 2001.

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N/A

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A man (Masahiro Sugiyama), an idol otaku, picks up a monster fish and starts to raise it at home. At the same time, he moves in with a runaway girl (Yoko Oguchi), and the friction between them becomes more intense. The film was made at the end of the eighties, in response to the sense of stagnation in the provincial cities. It's a film with a darker side than my previous film "Love on the Street". It also has the strongest theatrical colour of all the films so far, but it shows the bankruptcy in a different way to "Street Corner of Love -".

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This is the director's first diary film, drawn in collaboration with a diverse cast and manga artist Yumi Enomoto. It is a serious self-documentary work with a comedic touch. The music is by composer Kotaro Watabiki, the end song is by Haruka Doi, and the guitar is by Yumiko Yoshimoto. It won the Audience Award at the Image Forum Festival 2016 in Tokyo and Kyoto.

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The films of Oguchi Yoko are extremely personal. In addition, Oguchi herself has a special personality that makes her films very special. She is an outspoken masochist and experiments in life and work with her sexual proclivities. She can get surprised about what people think is normal in the field of love and could find little understanding for her own norms. That's why she made a film about it.

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Oppressive mixture of diary and (sexual) fantasy. The film maker also literally bares herself when she repeatedly stands in a corridor waiting for the inevitable. She is fascinated by the true story of a sadistic kidnapper, whom she links with her own Prince Charming. Sadomasochism without whips. The master rules with the spirit. Won the grand prix at the Image Forum Festival.

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Kenji Murakami seeks out legendary wildman director Kenji Onishi and arranges a meeting with director Yoko Oguchi. The meeting turns unexpectedly intense...

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