mdblist.com logo The Best Klaus Wyborny Movies. Go to The Best Shows


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poster
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10
/1/

Im KZ (1968)
The story of a group that has a difficult time near Bialystok at dawn on July 19, 1944.
poster
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10
/1/

A Crowd in the Face (1968)
The story of a man who never attended Sarah Lawrence College but still made some impact.
poster
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10
/1/

One Brachet Close Brachet (1966)
A young man decides to leave the country after the 1965 West German parliamentary elections. He hitchhikes out of Hamburg, but makes it only as far as the Lüneburg Heath. There, he meets a woman driving a Jaguar, protects her from an “attack” by a light sport airplane and then helps her sell her car to a shepherd. When doubts arise about the buyer’s solvency, the man and woman take the train back to Hamburg …
poster
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10
/1/

Home Movies 1971-81 (1985)
Home movies shot on Super 8mm by W+B Hein over 10 years.
poster
57
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6.8
/80/
25
/2/
70
/1/
3.4
/218/

Burning Beds (1988)
Harry, a timpanist and pyromaniac, and Ginamove into the same apartment due to Hamburg's housing shortage. This is the beginning of a wonderful enmity, with Harry, who has been tried and tested in marital warfare, and relationship terrorist Gina proving to be quite equal opponents.
poster
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7.6
/41/
10
/1/
70
/5/

Diwan (1974)
Diwan, a lyric anthology, an outdoor movie with people. With people living in the surrounding precious and very beautifully photographed nature, are neither more nor less than one part of it. What Nekes manages there with landscape, as a cunning and quote many fine artist in a medium that runs in time, as he defeated the time changed, by themselves for change of scenery uses, as it interferes with the laws of chronology through the rewind ability of the camera or destroyed, which is a compelling and highly aesthetic experimental company.
poster
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6.5
/21/
55
/2/

Werner Nekes - Life Between the Pictures (2017)
In conversations with his friends and colleagues, among them Bernd Upnmoor, Helmut Herbst, Alexander Kluge, Klaus Wyborny, Daniel Kothenschulte and Helge Schneider, Ulrike Pfeiffer takes us on a journey into the broad expanse of Nekes' cabinet of wonder and his cinematic works. At the same time, this documentary provides an insight into the history of experimental film in Germany.
poster
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5.7
/13/
10
/1/

The Fantastic World of Matthew Madson (1974)
Animated feature by Helmut Herbst.
poster
16
?
5.2
/8/
20
/1/
Popcorn
12
/79/

The Critical Mass (1999)
A documentary about the 'critical mass', the Film Coop, a group of young filmmakers in Hamburg during the 1960s - a small group far from the Mainstream or the New German Cinema.
poster
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6.7
/15/
70
/2/

Four Shadows (1978)
Four four-minute image sections and four four-minute sound sections are linked in all combinations of the sound sections with each of the image sections. This established affinities between each of the image sections to the others, and the sound sections to each other. The image sections are: surveyors measuring the land near my house as seen through an old window, a family of Siamang Gibbon apes in the Washington zoo, an industrial site, and a page turned from a book on Cézanne’s composition showing a diagram of his painting Mardi Gras, filmed against bright leaves. The sound sections are: a dramatic scene from Debussy’s opera “Pelléas et Mélisande”, a passage from William Wordworth’s autobiographical poem “The Prelude,” sounds from rowing on a lake at night, and the sounds of the apes vocalizing.
poster
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6.6
/29/
10
/1/
57
/3/

The Holy Bunch (1991)
After Roy's demise, five friends try to reconstruct his life by reading through the late editor's notebooks - only to face some very personal demons. The Holy Bunch is a modernist melodrama: beyond-Antonioni in its images, decisively Dreyerian in its spirituality. One of German cinema's few modern (or Modernist) masterpieces.
poster
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6.8
/27/
26
/3/
75
/2/

The Birth of a Nation (1973)
The film depicts, in an anecdotal, quasi-anthropological style, the efforts of a group of men in a desert to achieve some kind of social organisation. An opening title locates the action in Morocco, in 1911, the date evidently refers to the work of D.W. Griffith.


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