mdblist.com logo The Best Hartmut Bitomsky Movies. Go to The Best Shows


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poster
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10
/1/

Zum Begriff des 'kritischen Kommunismus' bei Antonio Labriola (1843-1904) (1970)
Straschek's film points to the gap between workers and intellectuals and describes the "difficulties of the revolution" in a biting and witty way.
poster
?
10
/1/

Wochenschau I: Requiem für eine Firma (1969)
A documentary about the events at the German Film and Television Academy Berlin (dffb) in November 1968, which led to the termination of the training contracts of 18 students. While Director Heinz Rathsack dictates to his secretary Helene Schwarz the letter lifting the ban from the premises against 18 students, the students plan a general assembly inside the dffb despite the ban.
poster
65
?
7.1
/96/
58
/5/
62
/4/
3.6
/295/

Four Corners (1997)
James Benning's "Four Corners" uses a specific geographical location to pose larger questions about the United States. Here, the geographic and wholly imaginary place Four Corners, that favorite tourist destination where Colorado, New Mexico, Arizona, and Utah meet, becomes a kind of theoretical ground zero, the site from which Benning can give voice to other, pointedly unofficial American stories.
poster
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10
/1/

"Kino 81" - Stillness, a film magazine by film critics (1981)
An issue of the magazine Kino 81, designed for the film department of WDR by staff of FILMKRITIK
poster
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6.3
/7/
10
/1/
50
/1/

Barrage and Bunker (1991)
Barrage and Bunker is an essay film about the (narrative) space imagined by fiction films. Reflections and associations about movement in space are the basis of every kind of story-telling. The film is sometimes referred to as part of Bitomsky's Cinema Trilogy. Sequences from over 20 movies are quoted and commented on by a team of three "researchers" (Bitomsky, Petzold, Tanner) in a sort of laboratory. TV-monitors, production stills and screenshots are used as well as quotations from books. A long night's work.
poster
?
7.5
/13/
10
/1/

Something Self Explanatory (15x) (1971)
An educational film about an aspect of political economy. The concepts of use value, barter value and labor as a commodity are the subjects; they are intended to introduce the process of understanding the theory of value of work and the law of values, alienation and fetish.
poster
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10
/1/

3000 Houses (1967)
“Six young people move through a city in order to establish the starting point of their joint action. But they can’t agree on the topic. In the end everybody goes their own way and leaves the city.” - Hartmut Bitomsky
poster
59
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6.6
/109/
45
/2/
68
/4/

System Without Shadow (1983)
Computer operator Faber works on securing computers for big companies and banks. His private life is rather dull until he meets a strange women, Juliet and falls in love. Her friend convinces Faber to exploit his knowledge to rob a bank.
poster
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7.3
/31/
50
/4/
64
/5/

Cinema and Death (1988)
“Why does cinema need death, when it can’t show it?” The filmmaker’s monologue and the discourse of images meet
poster
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Weltmacht Staub. Hartmut Bitomsky über einen unbesiegbaren Zustand der Materie (2008)
Alexander Kluge and Hartmut Bitomsky discuss the film Staub (Dust). Dust is called “matter in the wrong place.” In fact, dust is an irresistible state of dissolution at the beginning and end of all things and living things.
poster
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Kampf um ein Kind (1975)
A West Berlin doctor, married with a two-year-old child, leaves her husband to go to Munich to work in the birth clinic of a hospital. Her husband doesn’t know that she’s pregnant with their second child. Will she have to choose between motherhood and her career?


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