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The Best Shobhna Samarth Movies. Go to The Best Shows

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poster

77

60

7.8

/3060/

69

/33/

68

/35/

3.9

/3733/

95

/693/

The film tells, in flashback, the story of Suresh Sinha, a famous film director and his relationship with an aspiring actress.

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6.2

/10/

When Parbat meets Pahari, the two of them fall in love and everything seems to be going well for both of them. However, things get complicated when a previous obsessive lover enters the narrative.

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35

/2/

A three year old girl separates from her widowed mother during a train journey.A poor man meets her and starts living of her.She then meets a rich man who also dedicates his life towards her but feels she needs mothers love and gets married for the same.The widowed mother who lost her daughter is helped by a couple with their child but she still looks for her missing daughter.Years later when the daughter grows she is in love with a man. And destiny brings the lost daughter and mother in front of each other.

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7.5

/33/

60

/1/

50

/1/

Following Bhagwan Shri Ram's 14 year exile, whereby he demolishes the evil empire of Lord Ravan, rescues his wife, Sita, and returns triumphantly home to Ayodhya to be crowned the King. Bhagwan Ram arranges for Sita to be placed on top a funeral pyre, and when she comes out unscathed with the Lord of Fire himself appearing and asking Bhagwan Ram to take Sita back as she is pure, and her presence has not only purified Ayodhya, but also Sri Lanka, as well as himself.

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59

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7.7

/116/

40

/2/

A once loyal soldier faces many challenges after turning into a rebel.

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5.4

/53/

10

/1/

50

/1/

Armed with laser guns, three-fingered virtually invincible Martians collude with gangsters to invade Earth.

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52

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6.6

/247/

40

/3/

50

/1/

The tragic-comic story of Chhalia, a naive, simple-minded young man who comes to the city and witnesses the harsh side of life; and falls in love with a young woman named Shanti, only to find out that she is married but separated from her husband, Kewal, and adopted son, Anwar. He puts all he can in an effort to locate Kewal and re-unite the family.

poster

62

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6.9

/132/

60

/5/

60

/1/

After the untimely death of her father and step-mother, Sonia is orphaned and lives with her aunt and paternal uncle (Mrs. and General Rajpal Singh). Sonia is plain-looking as her real mother, and often invites unappreciative, taunts, and critical remarks from her aunt and cousin-sister, Sheela. Sheela has a boyfriend, Dev Kumar Mehra, and she plans to marry him. Fed-up of hearing frequent taunts and adverse remarks about her plain-looks, Sonia challenges Sheetal that she will make Dev fall in love with her.

poster

36

?

6.9

/150/

30

/3/

10

/1/

The Bombay police is baffled at a series of robberies being committed in homes of prominent people, with the thief leaving a swastika and stealing only one set of jewellery instead of everything in the safe. Their investigation takes them to bring in a notorious burglar, Tony, who denies having anything to do with these robberies.

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Rooted in Hindu mythology, this devotional film is a grand retelling of the prophecy-shattering night when the divine child is secretly born in a prison and miraculously spirited away to safety, marking the auspicious celebration of Lord Krishna’s Birth.

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Pradip, a poor artist, lives with his sister Rajani, a child-widow whose past he doesn’t know. Wealthy Rohini falls in love with him, but her guardian schemes to marry her to his wastrel son for money. Rajani briefly returns in disguise as a dancer, then withdraws again, and Rohini’s love story with Pradip collapses under the weight of deceit, duty, and misfortune.

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Kokila (transl. Nightingale) is a 1937 Hindi social family drama film directed by Sarvottam Badami

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Motilal in the role of a doctor, wants to join the revolutionaries along with his girlfriend played by Shobhana Samarth. Both are opposed by their parents. The parents find it difficult to come to terms with what they consider as 'western influences' on their children in clothes and thinking. Several humorous situations arise in the process with everything finally ending to the satisfaction of both generations.

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A melodrama about the rich and callous Vilas (Pendharkar), who abandons girlfriend Shama (Wadkar) whe he discovers that she is pregnant. She raises her son Nandu (Mainkar) with the help of her younger brother and the film's hero, Sanjeev (Vinayak). When Vilas re-enters their lives, it is with a new name, Ishwar, and with the intention of seducing the rich Princess Indira (Samarth) who loves Sanjeev. Ishwar has a bad accident and an attack of amnesia that also leads to a confession of his past deeds.

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Chitrasen inadvertently humiliates Gabal Rishi, who approaches Bhagwan Shri Kishan and prays that the former be punished. Kishanji readily agrees to punish Chitrasen by beheading him with the Sudarshan Chakra. When no amount of pleas for mercy are adhered to, a compassionate Subhadra, moved by Chitrangini's plight, asks her spouse, Arjun, to intervene. The later, at first, refuses to take up arms against Kishanji, his friend, but subsequently relents - resulting in war - that will not only end their friendship - but may well also destroy the universe and annihilate Arjun, his brothers and their entire army.

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A social drama centered around a powerful figure, their influence, and a narrative involving devotion or authority.

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A social drama directed by Kumarsen Samarth and starring Shobhana Samarth and Shahu Modak.

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A social drama exploring contemporary societal themes. The film features a prominent cast including Shobhana Samarth, P. Jairaj, and Mazhar Khan, alongside supporting actors like Azurie and Hari Shivdasani. It delves into a "social story" penned by Ahmed Abbas, focusing on interactions and challenges within its "New World" (Nai Duniya) setting.

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A heartfelt social drama that centers on the unwavering love and immense sacrifices of a mother for her children. Faced with myriad hardships—be it poverty, societal challenges, or the ingratitude of her own offspring—the film follow her journey of enduring immense personal struggle to ensure the well-being and future of her family.

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The ancient Indian epic of the Ramayana. It follows Prince Rama, his wife Sita, and his brother Lakshman as they embark on an exile to the forest. During their time there, events unfold that lead to the abduction of Sita by the demon king Ravan. The narrative then chronicles Rama and Lakshman's journey to find Sita, their encounters with various allies, and the ultimate conflict to rescue her from Ravan's kingdom.

poster

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It is a melodrama about tlie rich and callous Vilas who abandons girlfriend Shama when he discovers that she is pregnant. She raises her son Nandu with the help of her younger brother and the film's hero, Sanjeev. When Vilas re-enters thier lives, it is with a new name, Ishwar, and with the intention of seducing the rich Princess Indira who loves Sanjeev. Ishwar has a bad accident and an attack of amnesia that also leads to a confession of his past deeds.

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1947 bollywood film.

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Based on an ancient Hindu epic, the film tells the timeless love story of King Nala of Nishadha and Princess Damayanti of Vidarbha. Their love is sparked by the magical swans who carry messages between them. Despite challenges from gods who also desire Damayanti, and the cunning machinations of the evil Kali who curses Nala, the couple endures separation, hardship, and transformations. The film focuses on their trials, Nala's loss of his kingdom and disguise, Damayanti's unwavering devotion and search for him, and their eventual reunion and restoration of their happiness and kingdom.

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Fazlu, a lifelong servant, is wrongly imprisoned after being blamed for his master's son's death. He escapes, believing his newborn is the child reincarnated. The film follows Fazlu's heartbreaking journey as he watches his family crumble under economic hardship, ultimately leading him back to prison.

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Anban is a 1944 Bollywood social film directed by Niren Lahiri.

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