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poster
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4.9
/51/
53
/3/
55
/2/

Anna Nicole (2011)
An opera based on the life of celebrity and actress Anna Nicole Smith.
poster
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100
/1/

Royal Opera House: Andrea Chernier (2015)
“Kaufmann is performing the title role for the first time, and it’s hard to imagine him bettered. His striking looks make him very much the Romantic and romanticised outsider of Giordano’s vision. His voice, with its dark, liquid tone, soars through the music with refined ease and intensity: all those grand declarations of passion, whether political or erotic, hit home with terrific immediacy.” – The Guardian Presented in its Covent Garden premiere in January 2015, this staging – directed by David McVicar and conducted by the Royal Opera’s Music Director, Sir Antonio Pappano – shows a bloody tricolour daubed with the words “Even Plato banned poets from his Republic” – written by Robespierre on the death warrant of the historical Chénier, a poet and journalist sent to the guillotine in 1794 for criticising France’s post-revolutionary government.
poster
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7.6
/5/

Götterdämmerung (2004)
Third day of the trilogy "Der Ring des Nibelungen" by Richard Wagner, in the production by Peter Konwitschny (Stuttgart State Opera 2000, recorded live on October 3, 2002 and January 12, 2003). Albert Bonnema as Siegfried, Luana DeVol as Brünnhilde, Roland Bracht as Hagen. Lothar Zagrosek conducts the Stuttgart State Orchestra and the Stuttgart State Opera Chorus.
poster
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7.2
/7/
67
/9/

Die Walküre (2004)
Part of Stuttgart Ring Cycle 2002/2003 - First Day
poster
Hoopla
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80
/1/

Berg: Wozzeck (2018)
Based on real events and drawing on Georg Büchner's revolutionary play, Alban Berg's Wozzeck turns a grimly tragic narrative of violence and murder into one of the most powerful and original operas of the 20th century. Berg's uncompromising portrayal of brutality and madness generated much controversy, but the significance of Wozzeck was soon recognised; its compelling lyrical expansiveness, large-scale dramatic gestures and remarkable musical structures producing music of overwhelming emotional intensity. The Financial Times declared this to be 'a beautiful, moving, engrossing production… this is a consummate Wozzeck, blending clarity, lyricism, compassion and crushing force.'
poster
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8.1
/14/
20
/1/
100
/1/

Strauss R: Elektra (2010)
The Nikolaus Lehnhoff production of Richard Strauss's "Elektra", recorded live at the Salzburger Festspiele in 2010. Iréne Theorin stars as Elektra, with Eva-Maria Westbroek as Chrysothemis, Waltraud Meier as Klytämnestra, Robert Gambill as Aegisth, and René Pape as Orest. Daniele Gatti conducts the Wiener Philharmoniker.
poster
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80
/2/
80
/2/

Les Troyens (2012)
After the destruction of Troy, the Trojan warrior Énée sets out on a journey to found a new dynasty. He meets Didon, Queen of Carthage, and falls in love. But will Énée's love for Didon prove stronger than his sense of duty? LES TROYENS ('The Trojans') is a tour de force of music that ranges from fiery military marches to intense choruses, passionate soliloquies – such as those of the prophetess Cassandre – and the lyrical love duets of Didon and Énée. It is Hector Berlioz's largest work and he wrote the libretto himself, drawing upon his intimate knowledge of Virgil's Aeneid. To the composer's disappointment, LES TROYENS was only performed once in full during his lifetime and was often presented in shortened form during the 20th century. The Royal Opera's production provides a rare chance to see this epic work in its entirety. David McVicar's staging is on an enormous scale, assembling one of the largest casts ever seen at Covent Garden.
poster
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8.2
/7/
76
/3/

Shostakovich: Lady Macbeth of Mtsensk (2007)
Shostakovich's Lady Macbeth of Mtsensk, a lurid tale of sex, murder, and corruption, premiered in 1934 and was a success until Stalin saw it two years later, resulting in a Pravda review that viciously condemned it. It was later replaced by an expurgated version, now called Katerina Ismailova after the work's principal character. The original version has now reclaimed its place on international stages. The heroine is the daughter-in-law of Boris, a greedy, lecherous merchant, and the frustrated wife of his impotent son. Katerina poisons Boris and when her husband returns she and her lover, Sergei, kill him too, burying him in the cellar. The body is discovered during their wedding party. Haunted by guilt, Katerina confesses and the newlyweds are consigned to Siberia. When Sergei takes up with another woman, Katerina pushes her into the river and then jumps in herself.
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Wagner Die Walküre (2007)
N/A
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Europakonzert 2018 from Bayreuth (2018)
Ludwig van Beethoven: Leonore Overture,No.3 in C major, Op. 72; Symphony No. 4 in B-flat major, Op. 60 Richard Wagner: Wesendonck Lieder
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Die Walküre (2008)
Simon Rattle conducts the Berliner Philharmoniker in Stepháne Braunschweig's production of Richard Wagner's Die Walküre. A Festival d'Aix-en-Provence 2007 production, in coproduction with Osterfestspiele Salzburg. Directed for HDTV and video by Don Kent.
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La Fanciulla Del West (2009)
La Fanciulla del West by Puccini, the first western lyric opera, was performed in Amsterdam in 2009, staged by Nikolaus Lehnhoff. In this version, which is now available on medici.tv, the Nederlands Philharmonisch Orkest is conducted by Carlo Rizzi. Eva Maria Westbroek plays the part of Minnie and Lucio Gallo plays Jack Rance.
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Royal Opera House: Cavalleria Rusticana and Pagliacci (2015)
Damiano Michieletto's production for The Royal Opera updates the works to southern Italy in the late 20th century.
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The Metropolitan Opera: La Fanciulla del West (2018)
Soprano Eva-Maria Westbroek sings Puccini’s gun-slinging heroine in this romantic epic of the Wild West, with the heralded return of tenor Jonas Kaufmann in the role of the outlaw she loves. Tenor Yusif Eyvazov also sings some performances. Baritone Željko Lučić is the vigilante sheriff Jack Rance, and Marco Armiliato conducts.
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Royal Opera House: The Queen of Spades (2019)
The dark world of Tchaikovsky’s penultimate operatic masterpiece Queen of Spades hinges on obsession, greed, and a secret in winning at cards… In 2005, the Opéra Bastille mounted a compelling production featuring Vladimir Galouzine as the mad lover Hermann, Hasmik Papian as the doomed Lisa, and Irina Bogatcheva as the mysterious Comtesse.


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