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The Best Manuel Mozos Movies. Go to The Best Shows

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poster

77

7.0

/1712/

70

/48/

70

/43/

3.7

/2837/

100

/16/

78

/7/

81

/9/

3.0

Scheherazade narrates three more tales, supposedly selected from the 470th, 484th and 497th nights of her ordeal: “It hath reached me, O auspicious King, that a Judge will cry instead of giving out her sentence. A runaway murderer will wander through the land for over forty days and will teletransport himself to escape the Guard while dreaming of prostitutes and partridges. A wounded cow will reminisce about a thousand-year-old olive tree while saying what she must say, which will sound none less than sad!

poster

63

36

6.6

/710/

61

/25/

63

/22/

3.7

/1068/

76

/17/

42

/9/

61

/4/

A young French actress in Lisbon to shoot a movie is intrigued by a nun she sees kneeling in the chapel where she is filming.

poster

67

28

6.9

/448/

65

/13/

64

/18/

3.6

/1891/

Lisbon, Portugal, 1927. The writer and journalist Fernando Pessoa accepts from his boss the commission to create an advertising slogan for the drink Coca-Louca; but conservative government authorities consider the new drink as revolutionary as it is diabolical.

poster

68

28

6.8

/1352/

67

/86/

71

/8/

3.4

/1361/

Bruno Aleixo was invited to write a biopic about his own life. Lacking ideas, he decided to ask his closest friends for inspiration. Reunited in a cafe, each of his friends suggests a different idea, more or less biographical.

poster

64

25

6.3

/394/

57

/18/

62

/12/

3.8

/1711/

Roberto is one of those men to whom simulation has become the greatest art. He is an unmoved, inscrutable, mysterious man. But the truth is that Robert feels an intimate, deep tedium. The boredom of those who have already exhausted all the pleasures of life. The only thing still surprising him is the fact that nothing surprises him anymore. One evening he has an overwhelming encounter with a woman. For his own bewilderment, he discovers the sublime horrors in which the woman has sank.

poster

61

25

5.8

/365/

66

/11/

56

/14/

3.3

/937/

60

/5/

The start of Luís Rovisco’s old age isn’t exactly cheerful. Already in his sixties, he’s still roaming the country by himself, carrying out his tasks — increasingly less real — as sales director for the company SegurVale. Sadness, resignation? Not with the songs Luís makes up behind the wheel, and that take over this film from start to finish.

poster

61

19

5.8

/494/

61

/12/

59

/15/

3.3

/976/

Francisco, behave! I Know it's your birthday, you are thirty now, it's carnival, you've dressed as a cowboy for the school party and you are surrounded by kids you hate. But that's no reason to be so annoying... Francisco, repeat after me: "Up to your 30s you have the face God has given you. After that, you get the face you deserve".

poster

62

12

6.1

/220/

56

/9/

63

/10/

3.4

/636/

A family gathers to celebrate Christmas.

poster

?

3.9

/22/

10

/2/

Fiction is never very far from reality. A young man, of Portuguese heritage, decides to do a PhD based on the documentary The Good People of Portugal, a work from 1980, also directed by Rui Simões. This opens the door to a parallel between the reality of the film we see and that of PREC, the moment of the studied documentary and the contemporary world, with the young Michel in between.

poster

57

?

6.2

/127/

48

/5/

55

/3/

3.3

/458/

At an old manor house in northern Portugal, Ana helps her friend, Emília, the elderly housekeeper who is determined to continue to keep the unoccupied house in order for the owners who are never there. As the seasons turn, Mónica, Ana's daughter, challenges her mother's choices and the three generations of women search to understand where they belong in a world that is rapidly fading, where the cycle of life is renovated only through inevitable endings.

poster

?

7.3

/23/

Vargas is an undercover agent whose mission is to capture a group of robbers. The robbery of a jewelry store will be the ideal moment to catch them in the act. After a conversation with Ricardo, one of the group's members, Vargas questions his view of the enemy, making the mission much more difficult.

poster

?

6.3

/32/

60

/2/

The evocation of light in the cinema leads the Character of the Man of Light to ponder over it, over its essence and its multiple manifestations in a revisitation of geographical places and memories.

poster

?

6.1

/18/

60

/1/

60

/1/

Tiago is a final-year secondary school student who has failed to graduate twice. Despite praying to the divine, he will fail once again. Between lying to his benevolent mother and giving in to the temptation of a school trip with his girlfriend, Tiago is faced with making decisions. Tiago may not be a lost case.

poster

58

?

5.6

/172/

62

/4/

56

/5/

The darkness of night, a barely lit place, motorbikes flirting with danger: a group of teenagers at a crossroads playing chicken with unaware passing cars. Jota (Eduardo Frazão) stands out from this group, unclassifiable; his destiny has no straight lines save those on the asphalt. Jota lives in permanent conflict with everything and everybody in his small town. No room for stillness. And then comes Margarida (Ana Moreira). Jota has no inside, Margarida has no outside. In spite of, or because of, that, they meet. What can they do? They can just ride, they can get away with it even if its all messed up. Love is to be lived.

?

50

/1/

A filmmaker and an actress travel towards a remote location, in search of a particular house, and of inspiration for their next movie. The region is Douro, and the house belonged to Manoel de Oliveira, where he took refuge to create many of his works.

poster

50

?

5.3

/113/

36

/3/

62

/3/

Maria is a sweet child. She hasn’t father and doesn’t like her mother. She has a boyfriend, A bandit who would like to change his class.

poster

?

6.2

/5/

The story of a young cinephile, who, coming from Braga, arrives in Lisbon, where he found a peculiar and fleeting job. Between the dark movie theatres, a girl and friends, the portrait of a certain era and of a young man like many, kind of lost, kind of uninterested.

poster

?

8.4

/7/

In the second half of the 1980s, an Portuguese independent music publisher was created, Ama Romanta. It was the alternative to the hidden censorship of the big label industry and its founder was João Peste (the charismatic vocalist of Pop Dell'Arte).

poster

?

7.1

/14/

A documentary about the world of portuguese cinema, with interviews with some critics and directors.

poster

?

7.4

/26/

20

/1/

The operational commander of the "Captains Movement", describes and recreates a quarter of century later the crucial 24 hours of April 25, 1974, that would topple the Portuguese government and start a democratic regime in Portugal - since another military coup, May 28, 1926, installed a one-party dictatorship there. The scenes in the claustrophobic operation room are recreated, with him alone and a few voices.

poster

?

6.0

/27/

50

/2/

68

/6/

In a specialized, hermetic drama about love won and lost, not necessarily by the same individuals, novice director Christine Laurent has focused on the backstage melodramas of an opera company. The conductor for an upcoming performance of the Marriage of Figaro has his mind and heart on other matters -- an entrancing diva who keeps him enraptured with her presence and voice. In the meantime, he finds fault with his cast members who cannot, of course, measure up to the woman of his dreams. As singers encounter one problem or another, it is clear that something has to be done about the conductor. Director Laurent designed costumes for both theater and opera, giving her some insight into the venue.

poster

?

6.8

/33/

10

/1/

51

/7/

One night Jorge will meet with a Japanese industrialist, who will allow him to abandon his teaching position and resume his chemical work. However, when he gets home he finds a person there.

poster

?

5.4

/67/

60

/1/

20

/1/

The short life of the Uruguayan poet Delmira Agustini is colourfully portrayed, not as a conventional biopic, but as a visual poem which evokes the turbulent life and complex personality of the literary heroine as she develops her genius for writing.

poster

44

?

5.5

/107/

20

/1/

57

/3/

Set in the Lisbon during the festivities of Saint Anthony, the patron saint of lovers and the old town. The story is about Cato, a nationalist politician who is charismatic and unscrupulous. He obsessively pursues Silvia, a mystical and mysterious young transvestite whom he meets at the festival. When Silvia runs into Vicente, a policeman who arrests transvestites and threatens them, Silvia must look towards blackmail to save herself. Compromising photos of Cato start to emerge among opposition parties and he must do all in his power to save his political career.

poster

?

4.4

/7/

10

/1/

Catalyst in the story of crossed paths is a 1957 Ford Fairlane being driven through Portugal’s Alentejo region to a new owner. Film’s overly protracted opening has car’s drivers (Filipe Cochofel, Antonio Pedro Figueiredo) joy riding the night away until the roadster breaks down. Momentum picks up at sunrise with their attempts to fix the car. A retired mechanic-turned-beekeeper with a heart condition (Canto e Castro) does the trick and convinces Figueiredo to take him cross-country on a motorbike to look up an old friend. Cochofel and the mechanic’s alarmed niece (Maysa Marta) follow in pursuit. The old man dies peacefully on the road, but Figueiredo, having wholeheartedly grasped his deliverance mission, keeps going.

poster

57

?

5.7

/109/

70

/2/

46

/5/

In oPorto there is a club, Imperatriz, where everything is permitted. A moment in which all intersect in the dark night.

poster

?

6.2

/52/

70

/3/

62

/5/

On 18 September 1929, José Régio sent a letter to Alberto Serpa expressing his desire to create a production company and start making films. For almost 90 years, nothing more was known: no reply was ever found and Régio never mentioned the subject again. The discovery of some old reels in a collector’s hoard seems to provide the ending to the story.

poster

74

?

7.2

/104/

80

/2/

75

/8/

3.6

/259/

Director Manuel Mozos draws an intimate portrait of João Bénard da Costa, programmer, critic, actor and, for 18 years, director of the Portuguese Film Museum, who passed away in 2009.

poster

?

N/A

poster

?

O que eu vi quando me mostraram a ecografia não acreditei. Dentro do meu útero havia milhares de minúsculos seres, com forma de aranha mas de corpo tenro e flexível. What I saw when the ultrasound was shown to me, I couldn't believe. Inside my uterus there were hundreds of tiny creatures, shaped like spiders, but of flexible and tender body.

poster

?

N/A

poster

?

Manuel Mozos, the Portuguese director, talks about his films, cinema and Sam Peckinpah.

poster

?

X, a film location scout, spend his time travelling from place to place looking for filming locations, at the same time that he's looking for funding for the film he wrote himself. In the middle of nowhere, as in the nowhere of his life, he stumbles on Y, the woman for whom he has been waiting all his life.

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