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poster
Kanopy
62
56
6.4
/6220/
60
/182/
61
/136/
3.3
/6527/
61
/140/

Captain Kronos: Vampire Hunter (1973)
When several young girls are found dead, left hideously aged and void of blood, Dr. Marcus suspects vampirism. He enlists the help of the Vampire Hunter. Mysterious and powerful, Kronos has dedicated his life to destroying the evil pestilence. Once a victim of its diabolical depravity, he knows the vampire's strengths and weaknesses as well as the extreme dangers attached to confronting the potent forces of darkness.
poster
59
28
6.2
/1299/
61
/25/
59
/23/
3.2
/739/
47
/98/

The Internecine Project (1974)
Offered a job as a presidential adviser, a professor is forced to dispose of those who knew him when he was a spy.
poster
48
24
5.4
/1307/
56
/35/
56
/33/
2.8
/1179/
18
/20/

The Flesh and Blood Show (1972)
Actors rehearsing a show at a mysterious seaside theater are being killed off by an unknown maniac.
poster
?
10
/1/

John Clare: "I Am" (1970)
A film biography by David Jones with Freddie Jones as John Clare "I am - yet what I am, none cares or knows" (John Clare) John Clare (1792-1864), farm labourer, had three obsessions: his youthful love for Mary Joyce, the countryside of his native Northamptonshire, and the need to celebrate both in his poetry. Clare cracked under the increasing strain of poverty and neglect, and spent the last 23 years of his life in Northampton General Lunatic Asylum. He imagined himself to be Lord Byron, a bigamist, and a prize-fighter; but the poems of his madness are perhaps the most remarkable he ever wrote. "Clare's asylum foretells our need for an asylum, his deprivation foretells our deprivation" (Geoffrey Grigson) Commentary spoken by Tony Church (from BBC Midlands) (David Jones and Patrick Stewart are members of the Royal Shakespeare Company; Tony Church appears by permission of the Northcott Theatre, Exeter)
poster
?

Insaaf (1971)
Filmed partly in Urdu, Insaaf (Injustice) is a public information film aimed at Britain’s South Asian communities. Produced through the Central Office of Information for the Race Relations Board, it seeks to inform viewers of the Board’s role in enforcing the 1968 Race Relations Act, via the story of a young man denied a job he is qualified for due to the racism of his potential employer.


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